A Quote by John Blair
It is important that people support prisoners of the Italian state like Joe in whatever way they can. I was not allowed contact with a lawyer for the first 24 hours, and no phone calls were permitted, but apparently telegrams have been getting through to Joe.
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I checked my phone messages. Three in all. The first was from Joe. “Hey, Cupcake.” That was it. That was the whole message. The second was from Ranger. “Yo.” Ranger made Joe look like a chatterbox.
I got very well acquainted with Joe Stalin, and I like old Joe! He is a decent fellow. But Joe is a prisoner of the Politburo.
I like Joe Buck. I know there's a big divide on people that like Joe Buck and people that don't like Joe Buck. But I love his cadence and tone and professionalism, and he's smart.
G.I. Joe is not shown in Korea at all, basically, so a lot of people didn't know about G.I. Joe and I also didn't have the information about G.I. Joe.
I remember [Joe] Lovano came around to me at that time [of Monk competition]. And I had taken some lessons with Joe and I had seen Joe on the scene. He had always been so great to me, such and inspiration and so kind. One lesson that I had with Joe was just amazing. I'm just such a fan and an admirer of his on every level. He was like, "Don't worry... you're just out here. You just do what you're doing. Don't worry if it doesn't make you a household name or anything."
I was glad that I could be used as a focal point to possibly bandy around some ideas, and maybe people would open their eyes to Obama's socialist ideology. However, there were so many important issues to be discussed other than the 'Joe the Plumber, Joe the Plumber.'
When I was a kid, phone calls were a premium commodity; only the very coolest kids had a phone line of their own, and long-distance phone calls were made after eleven, when the rates went down, unless you were flamboyant with your spending. Then phone calls became as cheap as dirt and as constant as rain, and I was on the phone all the time.
Around '62 in Baltimore, all the girls had those big hairdos. And then suddenly, a few of the really hip ones started doing their hair straight. And people panicked. And it was called going 'Joe,' meaning Joe College. And people would say, 'I don't know. Should I be 'Joe'? I can't decide.'
Joe Hart has come in for a bit of criticism, but it's only because he's the England goalkeeper, and he's not got any competition. It's always been like that; it's just the way the English media works. Joe Hart is a tough cookie, and he won't listen to any of that.
From now on, anyone raped at Penn State should just tell Joe Paterno's statue. It couldn't help you any less than the real Joe would have.
I felt what I was trying to do was make people realize that comics could be deep. I stopped myself in the middle of saying that because the Bazooka Joe thing I do with Dante's Inferno, that was just a goof. I wasn't trying to make people look at Bazooka Joe more seriously. But in my mind it's always been important.
There are things about Joe Torre, if I wanted to come out and say, would show how cold and calculated he really is... Joe Torre is for Joe Torre. ... The graveyard of Yankees coaches is loaded with bones of coaches Joe Torre did nothing about.
She was very kind to us when Joe and I went through the darkest days of the leak of my name in 2003. And, of course, Joe worked in the Clinton White House.
It feels like we all win when Joe wins. People know the struggle, everything I had to overcome. People feel like that's them winning. If Joe could do it, they could do it.
You've got to realize, I've been stabbed three times; I'm not too used to this kind of love from people. It has been unbelievable the amount of support I've gotten. I'm getting letters, packages, e-mails, and phone calls from so many people. It's just overwhelming.
My first love in music was jazz, but I like it all," "I reacted emotionally to Art Blakey and, of course, to Joe Pass and Wes Montgomery. I was all of 16 when I had my first guitar lesson with Joe. But I never focused on being a bebop player. I loved the harmony, rhythm and phrasing, but I wanted to apply them to my own concept and sound.
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