A Quote by John Bonham

I have no qualm about the quality of the contemporary repertory. — © John Bonham
I have no qualm about the quality of the contemporary repertory.
When I was beginning, a young actor could go from repertory company to repertory company. I did that and loved it. I was also lucky.
Even the best novelists are rarely congratulated on the quality of their observations about contemporary life.
...consumers do not buy one brand of soap, or coffee, or detergent. They have a repertory of four or five brands, and move from one to another. They almost never buy a brand which has not been admitted to their repertory during its first year on the market.
One of the great things about collecting contemporary art is that you mix with contemporary people.
We talk about the quality of product and service. What about the quality of our relationships and the quality of our communications and the quality of our promises to each other?
You'll see certain Pythagorean whose belief in communism of property goes to such lengths that they pick up anything lying about unguarded, and make off with it without a qualm of conscience as if it had come to them by law.
When we talk about contemporary art and contemporary artists, we usually imagine artists who are alive. But I feel very uncomfortable about placing a border between living artists and dead artists.
I write about African women, that's really my topic. I have no shame or qualm in it because it's a very underrepresented topic, which is part of the reason I started to write.
For most of the movies that I've done, we've shot in a contemporary house, in contemporary clothes, speaking in a contemporary way. So, I really enjoy that. It really helps.
Repertory theater is all about being part of the whole, one of the many colors in this vast palette.
So what is design all about? It [exists to] decrease the amount of vulgarity in the world ... to make the world a better place to be. It doesn’t have to be one style. We’re not talking about style, we’re talking about quality. Style is tangible, quality is intangible. I am talking about giving to everything that surrounds us a level of quality.
I have a British voice and a rather formal one at that, having been brought up in post-WWII Britain. My voice is perfectly suited to the sort of book I write, I think. It would not fit a contemporary, besides which I do not know enough about the contemporary world to write convincingly or comfortably about it!
Contemporary art and manga - what is the same about them? Nothing, right? The manga industry has a lot of talented people, but contemporary art works on more of a solitary model. No one embarks on collaboration in contemporary art in order to make money. But in the manga world, everyone is invested in collaboration. The most important point is that the manga industry constantly encourages new creations and creators.
I didn't want to make 'high' art, I had no interest in using paint, I wanted to find something that anyone could relate to without knowing about contemporary art. I wasn't thinking in terms of precious prints or archival quality; I didn't want the work to seem like a commodity.
My entire career is contemporary based, not by choice, but just by character. So, all the movies I've done, except for one in 40 years, are contemporary. But I never did an effects movie. So, I'm also a producer and I was really curious about how this whole thing went together.
There's no such thing as the contemporary novel. Before I seem the complete reactionary, let me add that I've happily joined in many discussions about 'the contemporary novel' where what that usually, unproblematically means is novels that have appeared recently or may appear soon.
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