A Quote by John Bonham

I hate it when people slag us off. We had done three tours during 1970 and we finished off feeling we had just about had enough. We had done so much in that short space of time, we were drained.
I had a scene where the chair was meant to slide off the table, but do you think it would slide off? No. We were running out of time and we had to get these scenes done urgently.
One of the first speaking roles I had was in a film called 'Svengali', with Peter O'Toole and Elizabeth Ashley. I was a waiter, and I had about three lines. And I was ready! I had been around people like that, and I knew they were just actors. All the work I had done, it was all there, and I felt like I knew all the mechanics.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
I was in the wilderness of Hollywood for almost ten years. I was off the studio lists. I wasn't getting the roles offered to actors that hadn't done a third of the roles I had done or had the popularity I had.
Intelligent people, caught at anything, denied it. Faced with evidence of having denied it falsely, people said they had not done it and had not lied about it, and didn't remember it, but if they had done it, or lied about it, they would have done it and misspoken themselves about it in an interest so much higher as to alter the nature of doing and lying altogether.
So much had already been done in space before that, it had all been documented and there were no real surprises in store for us.
My original book [Straight to the Heart: Political Cantos] was 1,700 pages. The first editor brought it down to 700; there was a lot that didn't make it in. But at last it's finished. I had a hard time signing off on it. And I was worried about it hurting anyone I loved even indirectly. I sat in my room afterwards for two hours wondering what I had done. I wondered about it being judged and if people would understand.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
AMD's history is we've always had great technology. We've had periods of time where we've done really, really well, and we've had periods of time where we've done not so well. But most of the time we've done well, it's because we've had a leadership product or some technology where we were out in front before anybody else.
June [Hillary] had been doing all these things - the Himalayas and all the rest of it - so we had done things together for a long time, and, particularly as far as our Sherpas were concerned, we had a very sound, I think, philosophy. So that made it very easy for us to agree on what should be done.
For more than two generations, my family had never achieved their ambitions. Their talents were unappreciated and unused. They deserved better. They hadn't done anything wrong; they just had some bad breaks. Why was I succeeding? Why was I living my dreams? I wasn't more deserving than they were. I wasn't smarter or a better person. What was the difference between us that allowed me to attain so much in a short time? America. America was the difference. I had been born a citizen of the greatest nation in all of human history.
Yeah, we shot ourselves in the foot right out of the gate. The guy who ran it at first misled pretty much everybody about how much capital we had. He said we had enough to go three years without making money, and we had enough to go three weeks.
he first make-up crew had three test runs, so by the time we were shooting, they got it down to three hours. They switched make-up crews for Eclipse and they never had any test runs, and they had to figure out what the other team had done, so the first day, I was in the chair for eight hours. But, they adjusted the scar from New Moon to Eclipse. The first time, there was more pullage on my face, so I had a hard time eating. It didn't hurt, but it was uncomfortable.
I had been right I was still right I was always right. I had lived my life one way and I could just as well lived it another. I had done this and I hadn t done that. I hadn t done this thing and I had done another. And so?
Neither one of us had a job, because Mitt had enough of an investment from stock that we could sell off a little at a time.
Towards the end of Coexist, we had a couple of short tours where, although we were on the road together, we weren't speaking very much. We were there to do a job, and once the show was done we'd go our separate ways to our hotel rooms. Those were some of my unhappiest moments. Stepping offstage and, within an hour, being in a hotel room alone is the most crazy feeling. I don't know how to really explain it. I felt just lost and confused. It's anticlimactic and you just feel really lonely.
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