A Quote by John Boyne
I enjoy the research element. There are so many stories from the past that interest me, that I want to learn more about, just as an interested person. And if I'm going to learn, if I'm going to research, it's probably going to lead me to writing a novel.
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Pre-planning is essential. Research, research, research. If you are going to do a portrait, know as much as you can about the person beforehand. The web makes this very easy.
I hope that when children read my stories that they evoke images for children. I four stories can help children use their own imaginations and lead them to act the stories out or to embark on related research, they will learn more and learn to love reading more.
The manual for WordStar, the most popular word-processing program, is 400 pages thick. To write a novel, you have to read a novel - one that reads like a mystery to most people. They're not going to learn slash q-z any more than they're going to learn Morse code. That is what Macintosh is all about.
It is important to fund young researchers who want to do curiosity-driven research. Curiosity-driven research is a part of life. Some people are curious. They want to learn more about nature and society should help that. It's like art: you can learn more and bring more beauty.
The general message is about a bigger global integrated economy is going to lead to faster growth, that policy could improve efficiency by getting more research going.
I really enjoy going to a library and spending the day doing research - to me that is the most pleasurable part of writing the science book.
The first thing you have to do is get immersed in the project, organizing yourself, knowing what you are going after and not going after. It is extremely important to know what you don't want to find. Research to me is as important or more important than the writing. It is the foundation upon which the book is built.
I feel lucky that Viceland wanted to make it, and I'm producing more than one film with LGBT characters and stories and it's because it's what I'm interested in. I'm not going to read a script and say, 'They're not gay, I'm not going to do it,' but I am interested in playing more gay people, because I've only played one gay person, and I've done a fair amount of movies, and I am interested in those stories. So for me, there's no should-I-or-shouldn't-I. It all feels natural.
I led the NFL in attempts the past two years and they really didn’t go out and get a quarterback to help me so I knew it’s going to be all on me again. I could see my mortality as a football player, that I’m not going to be able to do this much longer. It just became obvious to me that playing football for me is not going to be fun, not something I’m going to enjoy and it’s time for me to do something different.
Exploratory research is really like working in a fog. You don't know where you're going. You're just groping. Then people learn about it afterwards and think how straightforward it was.
What I love about research is when I'm having a bad day and I can't write, I'll just research some more, I'll learn some more and I'll have better command of the world of the film.
In the commercial world, you have this problem that the amount of research you can do in a company is based on how well your current business is going, whereas there actually should be an inverse relationship: when things are going worse, you should do more research.
There's a point in everyone's career where they're not going to be playing as well as they should be. You just have to keep you confidence and not hang your head and realize that you're going to figure it out and that you're going to get better and that you're going to learn. Learn from all your mistakes.
I know that I'm going to die and that you're going to die. I can't do anything about that. But I can explore it through a metaphor and make a kind of funny, dark story about it, and in doing so, really exhaust and research as many aspects of it as I can imagine. And in a way, that does give me some closure.
I like as much time as I can get and I'll do whatever I think is helpful to prepare for a role. Sometimes it's practical research, meaning if I had to write shorthand, I'd learn how to write shorthand. Or if I have to know how to dance a certain way, I would learn that. And then there's just research of talking to people similar to the characters I'm playing. And there's stuff that I just feel is inspiring, whether it be music or a painting or a photograph. I've used a lot of Nan Goldin's photos in the past to inspire me. I use certain paintings and pieces of music.
I do crazy amounts of research. I want this stuff to 'work,' so to speak. I need to be, at least to me, believable - because if I feel - if I cannot invest some element of verisimilitude, the reader is absolutely not going to buy in.
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