A Quote by John Boyne

What makes a classic is difficult to define. It's entirely subjective, of course. And the term is employed far too promiscuously. — © John Boyne
What makes a classic is difficult to define. It's entirely subjective, of course. And the term is employed far too promiscuously.
I don't think it is even possible to define what a good photograph is, so it is difficult to instruct anybody how to make one. Beauty and aesthetics are subjective, and very much in the mind of the beholder.
What actually makes poetry poetry is of course impossible to define. We recognize it when we hear it, when we see it, but we can't define it.
Most of the difficult things in golf are mental, not physical. Are subjective, not objective. Are the created phantasms of the mind, not the veritable realities of the course.
Politicians and the government have become too interested in short-term gains. Of course, if you look at the direct financial returns in the short term, human space flight is expensive. But they need to look longer term.
It is much easier for me to define what makes a novel French or Russian, but defining the characteristics of an Australian novel are difficult for me as it is all too close - I can't see the woods for the trees.
To define the era we live in is very difficult. How do we define it? We define it by music.
While UPA2's handling of immediate foreign policy challenges can be criticised, it would be difficult to challenge the long-term relevance of the principles that define the Manmohan Singh Doctrine.
It's difficult to make your clients understand that there are certain days that the market will go up or down 2%, and it's basically driven by algorithms talking to algorithms. There's no real rhyme or reason for that. So it's difficult. We just try to preach long-term investing and staying the course.
Success is very ephemeral. You depend entirely on the desire of others, which makes it difficult to relax.
I think this mythology - that we're all beyond race, of course our police officers aren't racist, of course our politicians don't mean any harm to people of color - this idea that we're beyond all that (so it must be something else) makes it difficult for young people as well as the grown-ups to be able to see clearly and honestly the truth of what's going on. It makes it difficult to see that the backlash against the Civil Rights Movement manifested itself in the form of mass incarceration, in the form of defunding and devaluing schools serving kids of color and all the rest.
Pressure to produce over the short term - a gun to the head of everyone - encourages excessive risk taking which manifests itself in several ways - fully invested posture at all times, the use of leverage, and a market centric orientation that makes it difficult to stand apart from the crowd and take a long term perspective.
I'm often asked how I define "success." It's an overused term, but I fundamentally view this elusive beast as a combination of two things - achievement and appreciation. One isn't enough: Achievement without appreciation makes you ambitious but miserable. Appreciation without achievement makes you unambitious but happy.
The original 'Scream' is one of those classic things, but it totally pokes fun at itself too. It's never taking itself too seriously, which is why I think it's such a cult classic.
People are entirely too disbelieving of coincidence. They are far too ready to dismiss it and to build arcane structures of extremely rickety substance in order to avoid it. I, on the other hand, see coincidence everywhere as an inevitable consequence of the laws of probability, according to which having no unusual coincidence is far more unusual than any coincidence could possibly be.
It's a tremendous challenge now: to make sure the green economy is big enough that there is enough labor demand that people who've been thrown out of work can be re-employed AND people who are new to the workforce can be employed. And that is going to be very difficult.
Pessimism only describes an attitude, and not facts, and hence is entirely subjective.
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