A Quote by John Buffalo Mailer
It's a certain kind of human compact that obviously you lose as soon as there is a screen and a camera there, so I think we'll always have theater. I think theater will always be a powerful force because we need that human touch, particularly as we spend more and more time with machines, cell phones, computers we start to lose our humanity.
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What goes wrong in Washington, D.C. I think some senators and congressman and media people go to Washington, D.C., and they get sucked into this vortex and they lose touch with what's happening out in the rest of the country. That's the problem. If these elected officials refuse to lose touch with their constituents, if they spend more time outside D.C. than inside, if they spend more time talking to constituents rather than pandering to the D.C. elite press corps, I think they're safe.
I think any filmmaker will tell you when they wandered from theater to theater to watch their prints, it was disheartening to see the poor levels of light and the disrespect for films that existed in certain theater chains. It was always inconsistent.
Theater for me is about enduring human truth. Special effects can be part of that, but when they obscure what is the reason we come to theater - to see reflections of our confounded humanity - the theater has lost its way.
I think technology is us, not something we invented. I think we are more psychic now because we have cell phones and you can look and see who's calling you. When people start seeing technology as us, as humanity, our whole idea of what existence is, is going to shift.
What I worry about ultimately is that when we're stripped of our privacy, when we're stripped of free will, when we start to merge with machines in a more robust way, at some point, we'll cease to be identifiably human. And therefore, I think our humanity is, in some ways, the thing that's under existential threat.
I did stand-up for a long time, and I did classical theater. As much time as you could spend on a stage will always inform you and your job, as you evolve. I feel the freedom of being able to find comedy in the darkest moments because it makes it way more interesting, I think.
Theaters are always going to be around, and doing fine. With computers and technology, we're becoming more and more secluded from each other. And the movie theater is one of the last places where we can still gather and experience something together. I don't think the desire for that magic will ever go away.
I think the theater work and the on-camera work feed off each other. My theater work has become more simple, and my on-camera work has become more energized or more spontaneous.
I think you can lose yourself more easily in a film than in the theater.
I think I'll always prefer theater to working in front of the camera. It seems a more distilled form of the craft.
Although technology is proceeding at a dizzying pace, I believe that the human mind will always have control of itself. And since the human mind has a degree of infinity and imagination unlikely to be matched by a machine for a very, very long time, I don't think that we will become the machines of the machines.
There are more clocks than ever - clocks on computers, on cell phones, on televisions, on any screen available, telling time to the digital second - but they all seem to matter less.
I would love to do stuff on camera. That's what I want to do. It took me a really long time to feel confident as an actor. I think, also, because there's a weird stigma about musical theater where we treat the men who do musical theater differently than we treat the women in musical theater.
I imagine you will always be pinched for money, for time, for a place to work. But I think you will do it. And believe me, it is not a new problem. You are in good company...Your touch is the uncommon touch; you will speak only to the thoughtful reader. And more times than once you will ask yourself whether such readers really exist at all and why you should go on projecting your words into silence like an old crazy actor playing the part of himself to an empty theater.
We should simply accept the fact that the way machines make decisions is different, and rather look at the result. If machines are providing results that we are looking for, you would mind how much human understanding was used in the process. And more likely we should look for the way of combining human skills and machine skills. And that, I believe, is the future role of humanity, is just to make sure it will be using this immense power of brute force of calculation for our benefit.
We are human, and nothing is more interesting to us than humanity. The appeal of literature is that it is so thoroughly a human thing — by, for and about human beings. If you lose that focus, you obviate the source of the power and permanence of literature.
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