A Quote by John Burroughs

One reason, doubtless, why squirrels are so bold and reckless in leaping through the trees is that, if they miss their hold and fall, they sustain no injury. Every species of tree-squirrel seems to be capable of a sort of rudimentary flying, at least of making itself into a parachute, so as to ease or break a fall or a leap from a great height.
I was a quicksilver girl who saw every leaf on every tree. For me, there was no middle ground between sinking and flying, and once I was into my early adult years, my roller coaster got wilder and faster: I seemed to rise and fall with the same reckless velocity.
There's got to be a moment when that baby [flying] squirrel looks from the end of one branch to the tree six feet away and thinks twice about making a leap. Falling in love is no different; it's the moment that we close our eyes and throw away everything that seems reasonable and hope to God there's someone or something waiting to catch us on the other side.
Tulips come up in spring for no reason. Of course, you planted bulbs and now in April the earth warms up. But why? For no reason except gravity. Why gravity? For no reason. And why did you plant red tulip bulbs to begin with? For beauty, which is itself and has no reason. So the world is empty. Things rise and fall for no reason. And what a great opportunity that is! You can start writing again at any minute. Let go of all your failures and sit down and write something great. Or write something terrible and feel great about it.
I fear that to fall in love with you is to fall from a great and gruesome height.
Hark, dumbass, the error is not to fall but to fall from no height. Don't fall off a curb, fall off a cliff.
Many people love grey squirrels, but the reality is that they are a real problem for some of our most threatened native species, like the red squirrel and dormouse. It is not realistic, practical or even desirable to completely eradicate grey squirrels, but we must control them effectively.
I'll fall.' 'You wont fall.' 'I'll fall. I'll fall and I'll die.' As I said it, I could see it happening. The foot stepping on air, pulling the rest of my body with it, tree limbs breaking as I plummeted down. 'No,' he said, his voice assured, 'You'd never do that to me.
Ignorantly is how we all fall in love; for it is a kind of fall. Closing our eyes, we leap from that cliff in hope of a soft landing. Nor is it always soft; but still, without that leap nobody comes to life.
For every mother who ever cursed God for her child dead in the road, for every father who ever cursed the man who sent him away from the factory with no job, for every child who was ever born to pain and asked why, this is the answer. Our lives are like these things I build. Sometimes they fall down for a reason, sometimes they fall down for no reason at all.
People fall in private, long before they fall in public. The tree falls with a great crash, but the secret decay which accounts for it, is often not discovered until it is down on the ground.
I think it happens to a lot of people who make music just on a computer by themselves, you don't see the bigger picture. You don't see the forest for the trees. You're looking at every tree so closely, and every tree looks so cool. But you're making a forest, man, you're not making a tree.
How comedic are squirrels? We don't have squirrels in Australia. The first time I saw a squirrel was at a meeting at Disney.
There are moments when a rope's end, a pole, the branch of the tree, is life itself, and it is a frightful thing to see a living being lose his hold upon it, and fall like a ripe fruit.
If you go to a tree with an ax and take five whacks at the tree every day, it doesn't matter if it's an oak or a redwood; eventually the tree has to fall down.
Maybe we need to fall on the common-sense side of protecting these species, but continue harvesting wood products we all use and enjoy. We've got to be able to do both - protect water quality and species, as well as harvest trees.
If a painting of a tree was only the exact representation of the original, so that it looked just like the tree, there would be no reason for making it; we might as well look at the tree itself. But the painting, if it is of the right sort, gives something that neither a photograph nor a view of the tree conveys. It emphasizes something of character, quality, individuality. We are not lost in looking at thorns and defects; we catch a vision of the grandeur and beauty of a king of the forest.
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