A Quote by John Burroughs

Whitman was Emerson translated from the abstract into the concrete. — © John Burroughs
Whitman was Emerson translated from the abstract into the concrete.
Walt Whitman and Emerson are the poets who have given the world more than anyone else. Perhaps Whitman is not so widely read in England, but England never appreciates a poet until he is dead.
My heroes are, above all, the great 19th-century Americans: Emerson, Whitman, Dickinson and the others. I love the way they think.
We speak of concrete and not abstract painting because nothing is more concrete, more real than a line, a color, a surface.
Most thoughtful Americans of today seem to have forgotten how strongly their own and immediate predecessors, Emerson, Hawthorne and Whitman, were still preoccupied with the essence behind things.
When needs and means become abstract in quality, abstraction is also a character of the reciprocal relation of individuals to oneanother. This abstract character, universality, is the character of being recognized and is the moment which makes concrete, i.e. social, the isolated and abstract needs and their ways and means of satisfaction.
I like using concrete imagery, but I don't feel that's what it's about. It's a combination of concrete and abstract to take the listener somewhere they know better than you. That's true for music, seeing a painting, watching a movie... it's all some kind of an escape.
To me, a story can be both concrete and abstract, or a concrete story can hold abstractions. And abstractions are things that really can't be said so well with words.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
Modern transcendental idealism, Emersonianism, for instance, also seems to let God evaporate into abstract Ideality. Not a deity in concreto, not a superhuman person, but the immanent divinity in things, the essentially spiritual structure of the universe, is the object of the transcendentalist cult. In that address of the graduating class at Divinity College in 1838 which made Emerson famous, the frank expression of this worship of mere abstract laws was what made the scandal of the performance.
The abstract kills, the concrete saves.
I try to make concrete that which is abstract.
There is plenty of courage among us for the abstract, but not for the concrete.
In the abstract conception of universal wrong, all concrete responsibility vanishes.
Evil is the product of the ability of humans to make abstract that which is concrete.
Every concrete object has abstract value, is timeless in the dream parallel.
There was a sketch group at Emerson, and if you could believe it, we were the cool kids. That's how Emerson rolls. I was a film major, but I spent most of my time doing that.
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