A Quote by John Bush

Be dangerous and unpredictable. And make a lot of noise. — © John Bush
Be dangerous and unpredictable. And make a lot of noise.
People who make no noise are dangerous.
Noise is the typographical error and the poorly designed page...Ambiguity is noise. Redundancy is noise. Misuse of words is noise. Vagueness is noise. Jargon is noise.
I like stories that grow, that have unpredictable layers. As opposed to Hollywood movies that start out with a lot of shock and noise and peter out into an unconvincing cliche.
There's a lot of noise in the world. And one of the beautiful things about doing theater and film is the absence of that noise or, perhaps, the adding of that noise where it's helpful in telling the story. I'm always trying to get rid of that noise. The more you do it, the better you get.
Noise is an easy thing to hide behind. If you make a lot of noise and shout behind that, nobody can tell what you're singing.
The most dangerous silence is noise; noise keeps us from hearing what we need to hear or from speaking what we need to speak.
Social media buzz can lead to huge successes when people spread the word about something they love and want to share. But authors creating their own buzz? Making their own noise? It's hard to make a lot of noise on our own about our own work. Except, sadly, negative noise.
A Democrat is just like a baby. If it's hollering and making a lot of noise, there is nothing serious the matter with it. When it's quiet and doesn't pay much attention to anything, that's when it's really dangerous.
You have to make enough noise to be cast in the right films, and the best way to make that noise is to do lots of good work.
I'm ready for a Christianity that 'ruins' my life, that captures my heart and makes me uncomfortable. I want to be filled with an astonishment which is so captivating that I am considered wild and unpredictable and... well... dangerous. Yes, I want to be 'dangerous' to a dull and boring religion.
History resists an ending as surely as nature abhors a vacuum; the narrative of our days is a run-on sentence, every full stop a comma in embryo. But more: like thought, like water, history is fluid, unpredictable, dangerous. It leaps and surges and doubles back, cuts unpredictable channels, surfaces suddenly in places no one would expect.
Humans are inscrutable. Infinitely unpredictable. This is what makes them dangerous.
For me, to consciously seek unpredictable roles would be dangerous.
There is a blueprint that young female singers seem to follow to make it, to make some noise when they first come out. And it's a hyper-sexualized persona. And the thing is that it works. And they do make noise. But the problem is if it's not authentic to you, then you're trapped in that persona. And you have to live that persona 24/7.
For twenty-five centuries, Western knowledge has tried to look upon the world. It has failed to understand that the world is not for the beholding. It is for hearing. It is not legible, but audible. Our science has always desired to monitor, measure, abstract, and castrate meaning, forgetting that life is full of noise and that death alone is silent: work noise, noise of man, and noise of beast. Noise bought, sold, or prohibited. Nothing essential happens in the absence of noise.
Los Angeles is more hospitable to writers [Than NY]. It's less claustrophobic. It feels more unpredictable and dangerous, and the landscape is less structured. You see coyotes lurking all over the place. It just feels wilder and more dangerous.
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