A Quote by John C. Hawkes

In The Lime Twig I took two very young people and made them very old. — © John C. Hawkes
In The Lime Twig I took two very young people and made them very old.
Koolaid is goyish. All Drake's Cakes are goyish. Pumpernickel is Jewish, and, as you know, white bread is very goyish. Instant potatoes - goyish. Black cherry soda's very Jewish. Macaroons are very Jewish - very Jewish cake. Fruit salad is Jewish. Lime Jell-O is goyish. Lime soda is very goyish. Trailer parks are so goyish that Jews won't go near them.
People don't understand this, but I started very young, and I became very, very successful at a very young age. By the time I was 26 years old, I was a multimillionaire. And I started with nothing. And I was on the road 10, 11 months a year.
On a personal level, the 'Young Apprentice' schedule is very long. The children needed long breaks so the sheer amount of time it took made it tougher. There was a lot more hanging around. But as a show, championing young people and promoting young people who are willing to have a go, I thought it was great.
From birth to death, anyone can fish. I just think it's fantastic to see old people going fishing with young people and teaching them things. I'm very, very critical.
When I was very young, my brother and I, we used to go into charity shops to buy suits. The thing about clothes is that people judge you by what you wear, unfortunately. So when we wore suits, people gave us respect - we were very young, and it made them think we were older.
My father, my Mormon father, took off when I was a young man and, or actually very young, I was like six years old, so a young boy.
As in The Lime Twig dream and illusion are right at the center of Charivari.
I am aware that I am very old now; but I am also aware that I have never been so young as I am now, in spirit, since I was fourteen and entertained Jim Wolf with the wasps. I am only able to perceive that I am old by a mental process; I am altogether unable to feel old in spirit. It is a pity, too, for my lapses from gravity must surely often be a reproach to me. When I am in the company of very young people I always feel that I am one of them, and they probably privately resent it.
Very few people took sordid things and made comedies out of them.
My mum took me to swimming lessons when I was very young, four years old.
From a very young age, music was very much in my house. I would sit with my mom, with the old LPs, listening to The Beatles and Carly Simon and Lionel Richie. The old LPs used to have the lyrics. From there, I would put on dance and music displays for my family, just to entertain them and make people laugh and smile.
The other thing that was very noticeable on that tour, not so much in the video, was the new young element that were coming to our shows... I started to see some very young people in the audience... maybe 14, 15, 16 years old.
People in Israel would write in a high register, they wouldn't write colloquial speech. I do a special take on colloquial speech. When I started writing, I thought [the language] was telling the story of this country: old people in a young nation, very religious, very conservative, very tight-assed, but also very anarchistic, very open-minded. It's all in the language, and that's one thing that doesn't translate.
Some people will know exactly what they want to do at a very young age, but the odds are low. I feel like people in their early- to mid-20s are very earnest. They’re very serious, and they want to feel like they’ve accomplished a lot at a very young age rather than just trying to figure stuff out. So I try to push them toward a more experimental attitude.
On the artist side, we made a significant investment in very young artists from the very beginning of their careers and helped them become global superstars.
I made two movies very young, and then I had trouble getting a movie made, and so - which was both, I think, a plus and a minus. It was a minus because it made me unhappy.
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