A Quote by John C. Maxwell

You can't move people to action unless you first move them with emotion. The heart comes before the head. — © John C. Maxwell
You can't move people to action unless you first move them with emotion. The heart comes before the head.
There is more emotion in a match in New Japan. The matches here in the U.S. are so fast that sometime they lack emotion. It is move, move, move.
I think that contradictions, unless they're understood, unless they're analyzed, unless they're thoughtfully probed, unless people have a sense of what those contradictions mean - there's just as much of a chance that they'll move into embracing fascism as there is that they'll move into a more radical conception of democracy itself.
There are all sorts of losses people suffer - from the small to the large. You can lose your keys, your glasses, your virginity. You can lose your head, you can lose your heart, you can lose your mind. You can relinquish your home to move into assisted living, or have a child move overseas, or see a spouse vanish into dementia. Loss is more than just death, and grief is the gray shape-shifter of emotion.
I simply find that as a songwriter, my goal is to try to move people. And I feel that before I can move other people, I have to genuinely be able to move myself.
God was on the move; God is on the move; and God will always be on the move. Those who walk with God and listen to God are also on the move. Reading the Bible so we can live it out today means being on the move—always. Anyone who stops and wants to turn a particular moment into a monument, as the disciples did when Jesus was transfigured before them, will soon be wondering where God has gone.
In chess there can never be a favorite move. I can probably pinpoint in a specific game, there might be a move that was like, "Oh, that was a good move." And maybe certain moves turned the whole game around, but there's not one special move that does that, unless it's checkmate because that's when the game is over.
I cannot move, I cannot even want to move, unless I hear the music first.
My favorite thing to do is action-driven, emotionally-charged scenes. If it's not just two people talking in a room, but it's on the move and things are happening and it's chaotic, and emotion comes from the characters and from the action, and the fall-out ultimately changes the character relationships, that exactly the kind of stuff I like writing.
If I had to, I would ask first of all: why do things move in your work? It's the most simple, and also the most complicated, question. And I answer: things move because if they didn't move, they might move?.
The heart is a gate-less gate to divinity. Move to the heart. We are all hung up, stuck in the head - that is our problem. The only problem is that we think too much. There is only one solution - get down from the head to the heart. All your problems will disappear. Problems are created by the head. The heart is innocent. The heart is a fountain of love.
I studied that first Karpov-Kasparov match for a year and a half before I cracked it, what they were doing, and discovered that it was all prearranged move-by-move. There's no doubt of it in my mind.
Unless we confront our history, unless we deal with it and move forward, not with recrimination, and move forward then we're always going to have the problems.
People are persuaded by reason, but moved by emotion; [the leader] must both persuade them and move them.
I can understand how technologically advanced action has become in our movies, but unless there is emotion or a strong story, it doesn't work. With every action sequence, there must be an emotion to justify it.
If you want or need to move, move with a winning record of success, move with a plan, and move to something you love.
Before you can inspire with emotion, you must be swamped with it yourself. Before you can move their tears, your own must flow. To convince them, you must yourself, believe.
This site uses cookies to ensure you get the best experience. More info...
Got it!