A Quote by John C. Reilly
It's kind of liberating to be able to bring your own ideas to things, but it's also a lot of pressure, it's like screenwriting on your feet.
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It is only after you are able to stand on your own feet, or have the confidence that you can stand on your own feet, should you look at doing things such as marriage or setting up a family.
I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.
All women have a complicated relationship to beauty, but as a transgender woman it's a bit more complicated. There's a lot of pressure to appear feminine. When I was younger, I was most insecure about my size, my angular features, my feet, my hands . At the end of the day, it's about being comfortable in your own skin, and being able to walk down the street and not have people question your gender - and, for me, being perceived as a woman.
It's liberating and rewarding to see your own ideas coming to fruition.
In all my movies, there's always a kind of heartfelt element, to be able to do a drama and to be able to spend more time in the emotional stuff with no pressure to get back to the funny that's very liberating for me.
I wouldn't want the pressure of a Six Feet Under or the pressure of improvising like Curb Your Enthusiasm.
What counts, in the long run, is not what you read; it is what you sift through your own mind; it is the ideas and impressions that are aroused in you by your reading. It is the ideas stirred in your own mind, the ideas which are a reflection of your own thinking, which make you an interesting person
In a lot of ways, it was a huge relief, not being a member of a troupe, being able to make your own decisions and kind of live your own life.
The thing about California is that it's kind of a dream, and I started to feel like I was living in a dream. I still feel like that. Because of that I think I've been able to realize a lot of things that were just ideas. When I was living in New York City, it's such a rat race, it's so competitive and everything is so concrete and in your face all the time. If you're like, "I'm gonna be a writer!" Everybody's like, "Yeah, you and all the other assholes on the subway." There isn't a lot of space for the detached, free-floating movement of the imagination.
Zen goes directly to your own experience of the oneness of the universe, of your interconnectedness with all things. You learn to distrust whatever you clung to in your old sense of separation, and that realization can be the most liberating thing in your life, a freedom beyond anything you could have imagined.
There's lotion for your face, for your hands, for your feet, for your body. Why? What would happen if you put hand lotion on your feet? Would your feet get confused and start clapping? Each kind has something special in it - aloe, shea butter, coconut, cocoa butter, vanilla, lemon extract. That's not lotion. That's one ingredient short of a Bundt cake.
You've got to be able to hold a lot of contradictory ideas in your mind without going nuts. I feel like to do my job right, when I walk out on stage I've got to feel like it's the most important thing in the world. Also I've got to feel like, well, it's only rock and roll. Somehow you've got to believe both of those things.
As an actor, you are sort of only in charge of yourself. All you can really control is your performance. You don't know what they're going to do with it in the editing room, what they're going to cut out, which take they're going to use. You know, your control is very limited. As a director, it's ultimately your piece. You have a lot more responsibility, but you also have a lot more creative control. It's scary, but also liberating in a way.
Ideas come from the Earth. They come from every human experience that you’ve either witnessed or have heard about, translated into your brain in your own sense of dialogue, in your own language form. Ideas are born from what is smelled, heard, seen, experienced, felt, emotionalized. Ideas are probably in the air, like little tiny items of ozone.
You have to be able to process 1,000 things that are happening at one time and be able to decide the right technique to use. And have the reaction between what your eyes are seeing and what your hands and feet need to do.
There's a certain amount of pressure that goes with writing superhero characters, especially characters that are beloved to audiences. You know that you're always writing into a certain amount of expectations and into an existing fandom, and I try to take the pressure of that in when I first accept a project and then I try to push it aside as much as possible and just focus on the story that I want to tell. It's definitely a little more pressure than writing something of your own, from your own brain, and creating those expectations from scratch. But I also like the challenge of it.
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