A Quote by John C. Reilly
I did a movie with Leonardo DiCaprio, and his skill level was eons ahead of mine. It was really more like an abattoir - he just slaughtered my character over and over again.
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If I'm really considering doing film from now on then that is the smart thing to do, or you can go either way. You can just do the same character over and over again and make a different comedy like over and over again.
There have been things over the years that didn't work. 'Body Of Lies,' directed by Ridley Scott, which I did with Russell Crowe and Leonardo DiCaprio, is a really tight action thriller, but when it opened in the U.S. it was number two to 'Beverly Hills Chihuahua.'
A good movie is a movie that you could see over and over again, not a movie that wins a Oscar, or a movie that makes a lot of money. It's a movie that you personally can watch over and over again. That, to me, is a measure of a good movie.
There's a difference in our ages [with Leonardo DiCaprio], but we were both in the same sort of position [on The Quick and the Death movie].Everyone below us in a casting position were all these really famous character actors like Keith David. And they were looking at the two of us going, 'Who are these guys?' So that naturally kind of put us together in a way where we'd just hang out together because we didn't care about status. We just wanted to enjoy the experience. The two things that have changed about Leo [ DiCaprio] since that time: he can drink legally and he's no longer a virgin.
Leonardo DiCaprio I find very inspiring... He's my idol. I absolutely love Leonardo DiCaprio. Christian Bale, obviously, being a British actor and going from 'Empire of the Sun.' Now he's Batman.
Every time I see Leonardo DiCaprio in a movie, I'm like, 'Dude, you're awesome. I want to be just like you when I grow up.'
I'll watch a Pixar movie over and over and over again. I'll be with friends of mine who have kids, that want to watch 'Finding Nemo,' and I'm like, 'Yeah, okay, let's watch 'Nemo' again, for the seven billionth time!,' because they're amazing movies.
I recently was in the same room as Leonardo DiCaprio, and one of my favorite movies is 'Basketball Diaries.' That movie hits home for me in so many ways, and in that moment, I was like, 'I have to thank this dude.' So I did.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
I know that the way to be a really successful writer is to write the same kind of book over and over again. Find the kind of thing that people like and just write one of those over and over again. I don't do that. I just keep doing different things.
I did kung fu from when I was nine to 13. You have to be really careful but you want to be able to make it look eventually as though it's just a part of you. So, you train over and over and over again.
I never got really into Twitter until more recently when I started doing the Dirt Nasty thing, and created that other character. I think it's almost essential now. I don't think Leonardo DiCaprio necessarily needs to do it, but someone like me, who's somewhere in the middle of nowhere and a shitstack, I need to do that.
I remember when I was a kid, when I just used to love listening to something again and again and over and over. You know, everybody else got sick of it, but I loved that discovery of music and what it did to my world, to my imagination. And so I started really considering, "Yeah, I've got to do more," for kids, particularly.
I don't think you can ask anybody in any walk of life to do anything at a championship level without doing it over and over and over and over and over again in preparation.
When I first heard that they were going to make 'Beauty and the Beast' at Disney, I was like, 'Oh, God, there's no way I'm going to see that movie,' because I knew what that movie was, was just two people sitting down to dinner over and over and over again. But then when I went to see it, it was like, 'Oh, they made it work.'
I feel like the job in editing is to let the movie tell you what it is. So again, it's like sculpture. You just start taking away, you add a nose here, you cut off, like, the side of the cheek over here in the crease, and you have a face. But it really reveals to you what it means to be over time, and if you have enough time.
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