A Quote by John C. Reilly

Whenever I work on something, I try and throw everything I have at it. Then if the director finds it useful they use it, and if not, they ignore it! — © John C. Reilly
Whenever I work on something, I try and throw everything I have at it. Then if the director finds it useful they use it, and if not, they ignore it!
If you look into the way that materials are used in an ecological system you'll notice that you'll find that there is no waste. The waste of one organism becomes food for another and everything's recycled in an ecological system whereas in our human built environment there's a throughput system. We use something then we throw it away... We have to imitate nature and try to re-use everything we make as human beings or recycle them - when we cannot re-use or recycle them we should try to reintegrate them back into the natural environment.
Get yourself out. Be brave. Don't leave before you're ready, because you should know that you tried everything. So there's a conviction and a confidence when you step away from something that may or may not be conducive to your life. I think if you run away too quickly, you're going to have that "Oh God, did I try everything?" feeling. Try everything. Make it work. Do everything you can. If it's not working, then know when the signal is and move on. Change. Try something different.
My job as an actor is to try to do what the director wants me to do. I'm going to do everything I can to incorporate that note and make it work. If it doesn't work, I'll try this kind of thing, and "How do you feel about that?" If you are at odds with the director, neither one of you is going to get anywhere. You really do have to be able to make both of you happy. Even when I was younger, there were times when you have to find a way to make it work for both of you.
Whenever you hear somebody else is auditioning for something, you sort of assume they're going to get it. You should try to just ignore it.
If you have a vision or if you believe the director has a vision, then at least you've got something to talk about, something to try and head to and I think that's mandatory for every director to have to do a good job.
I usually work in a direction until I know how to do it, then I stop. At the time that I am bored or understand - I use those words interchangeably - another appetite has formed. A lot of people try to think up ideas. I'm not one. I'd rather accept the irresistible possibilities of what I can't ignore.
Timing is everything. Chemistry is something that you don't just throw in the frying pan and mix it up with another something, then throw it on top of something, then fry it up and put it in a tortilla and put in a microwave, heat it up and give it to you and expect it to taste good. You know? For those of you who can cook, y'all know what I'm talking about. If y'all can't cook, this doesn't concern you.
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.
There will be a few times in your life when all your instincts will tell you to do something, something that defies logic, upsets your plans, and may seem crazy to others. When that happens, you do it. Listen to your instincts and ignore everything else. Ignore logic, ignore the odds, ignore the complications, and just go for it.
Whenever I do something, particularly if it's a cameo, I make sure that I have a backstory written out so that I can talk to the director intelligent and try to communicate a three-dimensional character.
I usually work with the director and it's just a collaboration between me and the one person. I think you make good movies that way. If the director and the composer can have this common goal and this excitement about making something great, then you're going to do something good.
There are very few people in our society who are actually free to say what they believe. I am in an extremely fortunate position in having this enormous gift of freedom and believe I should try to use it to do something useful for society. As long as I feel as if I have something to say, I’ll continue to try to do that.
Whenever you try to work through the things that we're trying to work through, that we're addressing, it ends up looking negative. Our goal is nonjudgment, nonfiltered acceptance of everything. So much of our background collectively, especially in the United States, is denying and suppressing and disowning a lot of negativity and the darker areas. You can become swallowed up in it. It's cancerous. The goal should be to define acceptance for everything. To try and consider every aspect. To try to look into the shadows, as well as the light.
Whenever the medium of photography is useful for a particular task, I use it. If another medium is more suitable I use that.
When you speak directly at things and don't say you're going to try to do something or that you hope to do something, the universe will work with you. Think about it this way - a boomerang goes out and comes back to you if you throw it. If you throw it out at the universe, it will come back down to you on Earth.
All you have to do is respect me. Use the right words. If you don't consider me a woman, then use trans woman. Whatever works for you. But don't try to use something that's a slur or something that's meant to degrade who we are.
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