A Quote by John C. Reilly
I actually envy actors who have a persona: 'This is the way I am. This is the part I play.' And do it over and over and over. To me, that's a lot easier than trying to reinvent yourself every six months.
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Immersion in a movie over months and months will give you what you just can't get in the same way over a four- or six-week period.
I've said multiple times, over and over and over and over and over and over and over and over again that I want to play for one team my whole career.
There's nothing worse than the feeling of wishing you had another chance at a play because you weren't ready. Every athlete has those feelings to mull over, and over and over ... Don't even expose yourself to the possibility to being caught off-guard. ?
Sometimes you have to get out of your own way as an actor. Young actors tend to over prepare sometimes and over think it. And actually there is nothing wrong with walking on a set with an empty brain and then on action allowing your adrenaline and your trust in yourself to take over.
Sometimes in T20, you need to bowl only one over, and once the captain has given you that one over, irrespective of whether it is good or bad, that one over is out of the equation. That actually helps you, that one over. By the time the batsman figures out what you are trying to do, you get rid of one over.
Europeans really provided many venues over there and hailed the jazz artists, and a lot of musicians went over there and stayed over there for a long time. A lot of them moved over there, lived over there, and died over there.
I know that to paint the sea really well, you need to look at it every hour of every day in the same place so that you can understand its way in that particular spot; and that is why I am working on the same motifs over and over again, four or six times even.
I think the unemployment rate for actors is pretty much the same in Sydney, London and New York. In all three cities, there are more actors than there are jobs. But I do think that there are far more acting opportunities in London and New York than in Sydney, where there are approximately seven actors that you see over and over again in every play.
Either over neither, both over either/or, live-and-let-live over stand-or die, high spirits over low, energy over apathy, wit over dullness, jokes over homilies, good humor over jokes, good nature over bad, feeling over sentiment, truth over poetry, consciousness over explanations, tragedy over pathos, comedy over tragedy, entertainment over art, private over public, generosity over meanness, charity over murder, love over charity, irreplaceable over interchangeable, divergence over concurrence, principle over interest, people over principle.
In Europe, I used to post a lot because they call fouls over there easier than over here.
The cross stands as a mystery because it is foreign to everything we exalt- self over principle, power over meekness, the quick fix over the long haul, cover-up over confession, escapism over confrontation, conform over sacrifice, feeling over commitment, legality over justice, the body over the spirit, anger over forgiveness, man over God.
The best part of all, the absolutely most delicious part, is finishing it and then doing it over I rewrite a lot, over and over again, so that it looks like I never did.
I had talked to my agent a lot over the years about not being interested in stereotypical "black films" [because] I didn't like the way they were representing black people over and over and over again in the same way.
It's humbling to know that you have fans all over America and all over the world and they want you to play on their respective basketball team. It's very humbling that they respect the way I play the game of basketball. I can't discredit that. I can't say I don't enjoy it because you put in a lot of hard work to have fans. And for me to be a role model and for me to have fans all over is great. It's very humbling.
Begin to imagine what the desirable outcome would be like. Go over these mental pictures and delineate details and refinements. Play them over and over to yourself.
One thing that was amazing about World War II was that everybody signed up for the duration plus six months. Fliers got to leave combat after 25 missions, or 35 missions, but other than that, you were in it. You were part of the great effort, until, oh boy, six months after it was over.
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