A Quote by John C. Reilly

For a long time, it was like I was part of some special forces unit: I'd land, meet everyone, five minutes later I'd have to do some amazing work, then - boom! - I'm out again. You know, playing supporting parts takes courage.
I'm living in L.A., which is hard to get around. I live way out in the suburbs, it's hard for me to get to town. You get five minutes here, then you gotta drive a half hour to the next one. New York was so much easier for standup because you could hit five clubs in a night. Just jump in a cab, pop. Boom, boom, boom. And you could walk to some of 'em, and work out stuff on the way. You can really get some more traction out there. You could work new material easier out there, I thought.
Sometimes you meet someone at an inopportune moment and it doesn't work out, but then you see them again five years later and you're in different places and it's a better time.
You know when sometimes you meet someone so beautiful — and then you actually talk with them, and five minutes later they're as dull as a brick. But then there's other people, and you meet them and you think: "Not bad, they're okay," and then you get to know them, and their face sort of becomes them, like their personality's written all over it; and they just — and they turn into something so beautiful.
Before I do a play I say that I hope it's going to be for as short a time as possible but, once you do it, it is a paradoxical pleasure. One evening out of two there are five minutes of a miracle and for those five minutes you want to do it again and again. It's like a drug.
Watching Michael Jackson was like taking a history lesson and a lesson on the future at the same time. If that weren’t enough, Michael then went and single-handedly revolutionized music videos. It’s amazing that today, some twenty-five years later, everyone who makes a pop music video still feels obligated to include a 'group dance' sequence like the one Michael pioneered in 'Beat It'. That’s how influential and ahead of the times he was.
You put some things out there. Some work, some don't, and then one really takes off, and that pays for your failures. Then you go on to the next one.
Life is made up of meetings and partings. People come into your life everyday, you say good morning, you say good evening, some stay for a few minutes, some stay for a few months, some a year, others a whole lifetime. No matter who it is, you meet and then you part. I'm so glad I met you Elizabeth Egan; I'll thank my lucky stars for that. I think I wished for you all of my life" He whispered. "But now it is time for us to part.
A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders.
I want to diversify a bit. I don't wanna throw myself into another big blockbuster or another big franchise anytime soon. So smaller films, just small little interesting parts, I think I'd even like to play around with some really good supporting roles and then develop into - I don't know just like feel my way into it a bit more. I don't know, I'd love to try some theater. That's my other thing. I'd love to do some Shakespeare.
When 9/11 happened, I was like, 'I gotta do something.' I went and talked to the recruiters, and I found out about the Special Forces 18X program. They take qualified people off the street, and they give them a shot at Special Forces. I was like, 'So I could go try out for Special Forces?'
There is nothing like playing in the actual games, compared to simulating it, working out, playing some five-on-five. It's not the same.
I think after a big European game you're looking at four or five days. For two days afterwards I don't really do anything. I do a recovery the next day, which is bike work, a light stretch, some yoga and an ice bath after that. Then the second day I would just do the bike again for 20 minutes and then do some strides, which is box to box, just eight of them, just to get the legs going and the blood going again.
When my father was, you know, a very big artist in the 1970s and then later up through the '80s. And then I began playing guitar with him in the road in the late '80s until he retired in 1997. So I traveled the world with them for years, you know, and all around the world and got to meet some great people.
I work out every day, but my idea is to make something short. I work out a maximum half hour. I only do like 20 minutes of cardio, and I do some stretching and some light weights, and I'm out of there.
I do breakfast first, which is a small bowl of oatmeal and some sort of protein, like hard-boiled eggs. And then I work out - 40 minutes of cardio and maybe some strength training.
It takes courage to pull the ball down and reverse field and do some of the crazy things that Favre and Manziel do. There's going to be consequences when sometimes it doesn't work out. But it takes a tremendous amount of guts and courage to go make a play when there's nothing there instead of throwing the ball away.
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