A Quote by John C. Reilly
I don't really get off on the anonymous love of strangers, which I think a lot of actors do. They're lacking something in their own personal lives, so they want the adoration of autographs and all that stuff.
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I never make suggestions. I really don't. I know a lot of actors who get a part and then they dissect it and they want to change it and they want to add stuff. I'm always amazed and so impressed by actors who do that.
I cut a lot of cringy sex stuff and a lot of stuff I thought was too personal. I think secret gardens are very special. I think we all have to have them. I think the secret of memoirs is keeping those parts of yourself off the page, which makes what you do share more valuable.
If a hundred people want autographs, sometimes you have to say no because you've got to get up for a 4 A.M. flight or something. In that sense, it really pisses me off when people think you've become a diva. It's not becoming a diva, it's because of the situation, I think.
I have a lot of brothers. It's easy for me to do physical stuff. I had to survive. I really love it, and I'd love to do more of it. I want to do action films. I want to go and hang off of wires, and jump off of bridges, and hang on bungee cords. I've always really loved it.
I think that people are really hungry for original content. I think there's a sense of reboots and remakes, and we're lacking in any sense of originality in media. So, I think the people who want something like this which has a graphic novel feel or comic book feel but that is designed and created for the medium of television, I think that is something is very appealing to a lot of people.
I don't care what a lot of anonymous strangers think about restaurants.
t is for me because I needed to do this. I really think actors shouldn't act unless they really need it in their lives. I think it has to be something that is so much a part of your chemistry, such a passion, that you can't live without it. You should not do it just because you are seeking fame or want to get rich.
What I think is important about essayists, about the essay as opposed to a lot of personal writing is that the material has to be presented in a processed way. I'm just not interested in writing, "Hey, this is what happened to me today." You get to a place that has very little to do with your personal experience and talks about some larger idea or something in the culture. I don't think you can get to that unless you have had a lot of time to gestate and maybe if I was taking a lot of notes while stuff was going on, I wouldn't be able to get to that place as easily.
I know a lot of actors who get a part and then they dissect it and they want to change it and they want to add stuff. I'm always amazed and so impressed by actors who do that.
When you admit that you are married, people try to get skeletons out of your closet. They dig into your personal lives and link you with strangers, which could be detrimental. They also want to know details about your marriage, children, and so on. I wanted to keep it private because I only want my work to speak.
The Green Arrow stuff that I've responded to from the past is the Mike Grell stuff. I've liked a lot of other stuff, but I think for me, the direction and the mood and the tone that I really want is something much darker and more aggressive and really fast-paced action.
I've done a lot of dramas, and I've done a lot of serious stuff - some really heavy stuff... which I loved, but I wanted to do something light and airy. I think the challenge for an actor is always to see which parts of you you can explore and go have fun with.
I would love to work with Ron Howard. I think he is brilliant. I love the stories that he chooses. Theyre always very personal and intense. He loves a lot of emotion, and hes so well equipped to pull all of that out of the actors. I really love that kind of thing and I think thats what movies should be about.
It's hard to get those roles that allow you to show everything and feel like you're really being used and exhausted and spent, which I think is what actors really love: We want to be tired.
I think all actors want to change. When you do something many times, over and over, you want to do something fresh. But movie is still my business. A lot of action actors want change, but no studio wants to spend money on something that is not guaranteed; not proven. I think it is very difficult. It is hard to change.
I think, like a lot of actors and people in the arts who are struggling to get where they want to be, you spend a lot of time sitting around grumbling about how you're not doing the kind of work you really want to do. But there's a lot of complacency in that, too.
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