A Quote by John C. Reilly
I don't mind doing scripted material. It's actually kind of a relief, because improvising is a little bit like screenwriting on your feet.
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It's kind of liberating to be able to bring your own ideas to things, but it's also a lot of pressure, it's like screenwriting on your feet.
I think when you look around this league, so much is scripted. And not scripted in a sense that the league is scripted, but when guys talk, it's like, 'Say this. Yeah, come out and say that.' Like, nah, I'm not doing that. I'm going to say what's on my mind. I'm going to say what's on my heart. It's just genuine speaking.
I kinda like messing with perception a little bit. Kind of what drugs do sometimes, and drinking. I mean, you know, you mess with your mind a little bit to see life from different angles. Within reason, if you can handle it.
So actually what that was able to do was twofold. For me, it helps illustrate what DTS is capable of doing right from the beginning. And secondly, technically, it actually gave us a little bit more time so we could just finesse some effects and things like that, because when you release theatrical, you actually get a bigger window than if you're DVD when you have to have it done sooner so they can press the DVDs and all that kind of stuff.
I do a little improv in my shows. Kind of like our movie, I'll do beats and ideas of dialogue, but I think there's less pressure because it's a live show. If you mess up, the audience laughs because we don't really know what we're doing. But as far as shooting, that was very scary, trying to make a point and drive the film. It definitely helped improvising.
I've heard this before from people: early 20s kind of screws with your head a little bit because you're transitioning into adulthood and actually becoming an adult with responsibilities and paying bills. So all of a sudden, it's like you're responsible now.
Scientology's a slow process in the beginning. It teaches basic principles of life - do unto others as you'd have done to you and be responsible. Then there are little courses that cost a little bit of money and you start to learn the concepts of Scientology, kind of like, "Scientology's a new religion and so it's being attacked, here's all the good works that we're doing." And you're like, "Why do people attack Scientology?" It slowly starts to get in your mind and your subconscious that it's Scientology against the world, and any enemy of Scientology is an enemy to mankind.
I get a bit nervous because I just want the show to go well. I think you always have to be a little bit nervous, or else you're a little checked-out, and that's maybe the time when you're not doing your best stuff, because you're kind of just checked-out and falling back on stuff.
In Comme des Garçons, I hardly do any sketches; there's no fittings on bodies, there's no models that come in and say, "Oh, a little bit like this." In the beginning, there isn't even a theme. It's like getting the whole world at your feet - to empty your mind of everything that's ever happened before, to get an empty space.
Sometimes you have to kind of keep proving that you're improvising. That's the game, or the goal, of long-form TV improv, is that you have to kind of keep reminding and showing people that you're improvising, because they won't believe you really.
Improvising is wonderful. But, the thing is that you cannot improvise unless you know exactly what you're doing. That's a kind of paradoxical thing about improvising.
I've been doing a bit of screenwriting and producing, and even a bit of directing.
Screenwriting is like ironing. You move forward a little bit and go back and smooth things out.
It's actually good when the performers are nervous, because it kind of sharpens up your brain and a little bit of adrenaline is good. Initially it's really tough.
We're actually doing something scripted that's totally, you know, we kind of know what's going on, however, we're having to live life and death as the art.
Actually I did, because I saw the film like everyone else, ten years ago and I remembered some of it. I just wanted to see it, to kind of remember the tone a little bit.
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