A Quote by John Cage
After I had been studying with him for two years, Schoenberg said, ‘In order to write music, you must have a feeling for harmony.’ I explained to him that I had no feeling for harmony. He then said that I would always encounter an obstacle, that it would be as though I came to a wall through which I could not pass. I said, ‘In that case I will devote my life to beating my head against that wall.’
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I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.'
In that case I will devote my life to beating my head against that wall.
Years ago I was at a function, and I must have said something really rude to Paul Daniels the magician. I can't recall what I said, but I remember him looking utterly crestfallen. I'm not that sort of person, but I must have said something very cutting and belittling. Our paths haven't crossed since, but if they had, I would have said sorry to him.
Then I dropped my forehead against his and sat there for a long time, as if I could telegraph a message through our two skulls, from my brain to his. I wanted to make him understand some things. You know all that stuff we’ve always said about you?” I whispered. “What a total pain you are? Don’t believe it. Don’t believe it for a minute, Marley.” He needed to know that, and something more, too. There was something I had never told him, that no one ever had. I wanted him to hear it before he went. Marley,” I said. “You are a great dog.
I asked him if it were a mirage, and he said yes. I said it was a dream, and he agreed, But said it was the desert's dream not his. And he told me that in a year or so, when he had aged enough for any man, then he would walk into the wind, until he saw the tents. This time, he said, he would go on with them.
Go to bed, you fool," Calcifer said sleepily. "You're drunk." "Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.
From harmony, from heavenly harmony, This universal frame began: When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, 'Arise, ye more than dead!' Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony, This universal frame began: From harmony to harmony Through all the compass of the notes it ran, The diapason closing full in Man.
But he said Blanket Hill should be a national monument. And so we came out of his chambers feeling, though while we had lost to the powers of darkness, we had at least shown one Federal Judge what the right path would have been.
It was so interesting, when [John Coltrane] created A Love Supreme. He had meditated that week. I almost didn't see him downstairs. And it was so quiet! There was no sound, no practice! He was up there meditating, and when he came down he said, "I have a whole new music!" He said, "There is a new recording that I will do, I have it all, everything." And it was so beautiful! He was like Moses coming down from the mountain. And when he recorded it, he knew everything, everything. He said this was the first time that he had all the music in his head at once to record.
Asked if he knew how important Stardust would be, Mitchell Parish said he did have a gut feeling that this was a momentous one. But had no idea it would become a standard. You don't sit down and write a standard, he explained. A standard evolves.
I came upon a doctor who appeared in quite poor health. I said, 'There's nothing that I can do for you that you can't do for yourself.' He said, 'Oh yes you can. Just hold my hand. I think that that would help.' So I sat with him a while then I asked him how he felt. He said, 'I think I'm cured.'
Suddenly Saffron had a picture in her mind of Sarah waiting at the bottom of the wall, and she was angry with herself. Something changed in Saffron at that moment. She knew all about feeling left out.... That was why she wanted her angel so badly; proof that she mattered as much as anyone else. "I couldn't really climb the wall," she said. "And if I could, what if I got caught? What would I say?" "You'd think of something." "No. It was a stupid idea. Let's try your way, early in the morning." "Before breakfast?" "Yes. All right Mission Control?" "All right," said Sarah. "All right, Superhero.
If our education had included training to bear unpleasantness and to let the first shock pass until we could think more calmly, many an apparently unbearable situation would become manageable, and many a nervous illness avoided. There is proverb expressing this. It says, trouble is a tunnel thorough which we pass and not a brick wall against which we must break our head.
(...)Did she really tell Roddy Carstairs she could outshoot him with his own pistol?" "No," Jason said dryly. "She told him that if he made one more improper advance to her, she would shoot him- and if she missed, she would turn Wolf loose on him. And if Wolf didn't finish the job, she had every faith I would." Jason chuckled and shook his head. "It's the first time I've been nominated for the role of hero. I was a little crushed, however, to be second choice after the dog.
It is said that a hundred gamecocks will live in perfect harmony together it you do not put a hen with them; and so it would have been with Billy and Bob, had there been no women in the world.
As Aristotle said, 'Excellence is a habit.' I would say furthermore that excellence is made constant through the feeling that comes right after one has completed a work which he himself finds undeniably awe-inspiring. He only wants to relax until he's ready to renew such a feeling all over again because to him, all else has become absolutely trivial.
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