A Quote by John Cage

There are some good people in it, but the orchestra as a whole is equivalent 
to a gang bent on destruction. — © John Cage
There are some good people in it, but the orchestra as a whole is equivalent to a gang bent on destruction.
What people don't understand is joining a gang ain't bad, it's cool, it's fine. When you in the hood, joining a gang it's cool because all your friends are in the gang, all your family's in the gang. We're not just killing people every night, we're just hanging out, having a good time.
What a lot of people don't realize about gangs, in my opinion, is that a gang is not there to attack you. Eighty percent of the people in a gang are there to stop anyone from attacking them. You join a gang for protection, not to go out and hit someone.
What a lot of people dont realize about gangs, in my opinion, is that a gang is not there to attack you. Eighty percent of the people in a gang are there to stop anyone from attacking them. You join a gang for protection, not to go out and hit someone.
Every day that you get up, it's some kind of victory if you're making a good product, or working on a project that can only help mankind. We pray for no destruction, and for the forces of destruction not to take over. We're all divided, but some of us have children, and we are invested in the future and would like to see good things happen.
True Boogie-Woogie I conceive as homogeneous in intention with mine in painting: destruction of melody, which is the equivalent of destruction of natural appearance, and construction through the continuous opposition of pure means - dynamic rhythm.
That's the great thing about being in a band: it's a gang for people who are too wimpy to fight. You can create a gang and have an identity and fight for something and stand up for something just by making pop songs. They're my gang members and gang members are for life, and if you try and leave, we execute you. That's the way it goes. A simple bang, back of the head, into the river, and we keep moving on.
We should be hell bent on getting those weapons of mass destruction, hell bent on having a credible approach to them, but we should try to do it in a way which keeps the world together and that achieves our goal which is removing the... defanging Saddam.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; we've become the most famous bad orchestra in the world.
My wife Elizabeth and I started The Really Terrible Orchestra for people like us who are pretty hopeless musicians who would like to play in an orchestra. It has been a great success. We give performances; weve become the most famous bad orchestra in the world.
There are some basic rules if they want to join the tumbling team. No drinking, no smoking, no swearing, no drugs and, most of all, no belonging to a gang. I read the riot act to them the minute they want to join. I tell them there's only one gang they can belong to if they want to be with me and that's Jesse White's gang.
I was a gang leader. Although, it was a gang for defensive purposes. It was not a gang to sell drugs.
The gang may be a safer place than home, but it's not without its problems. In some instances, especially in the Latino community, the boys have very traditional views of femininity even though they are gang members. The girls can be [seen] as sexually available, but not the good girl that you want to take home to your family, even by young men in the gangs.
My whole love and respect is for the person who accepts himself totally, as he is. He has courage. He has courage to face the whole pressure of the society which is bent upon splitting him into divisions — into good and bad, into saint and sinner. He is really a brave, courageous being who stands against the whole history of man, of morality, and declares to the skies his reality, whatever it is.
I was hell bent on destruction... it was like being possessed by a demon.
I thought there couldn't be a better backdrop for some kind of powerful music than a big orchestra. My wish to hear how a guitar would sound in front of an orchestra has always been there.
The creation and destruction of harmonic and 'statistical' tensions is essential to the maintenance of compositional drama. Any composition (or improvisation) which remains consonant and 'regular' throughout is, for me, equivalent to watching a movie with only 'good guys' in it, or eating cottage cheese.
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