A Quote by John Cage

I believe the use of noise to make music will increase until we reach a music produced through the aid of electrical instruments which will make available for musical purposes any and all sounds that can be heard.
For a long time in the 1970s, I was experimenting to build musical instruments and use them. I did a lot of ethnic music studies and other things, like electronic music. Making homemade musical instruments and performing was my major activity from the time.
Music will still be a big part of our environment. The Bible talks about choirs of angels and how there is singing in Heaven. We're going to have the greatest choirs, the greatest bands and symphony orchestras, the greatest music that the world has ever known. The world has never even heard music yet compared to what we're going to have there! If humans can make the beautiful music they have learned to make with these hand-made instruments, think what God can do supernaturally!
The most important thing is that you honor that musical integrity, whether you make music that sounds like ABBA or you make music that sounds like Void.
I don't want to write any more for the old Man-power instruments and am handicapped by the lack of adequate electrical instruments for which I now conceive my music.
A lot of people ask me where music is going today. I think it's going in short phrases. If you listen, anybody with an ear can hear that. Music is always changing. It changes because of the times and the technology that's available, the material that things are made of, like plastic cars instead of steel. So when you hear an accident today it sounds different, not all the metal colliding like it was in the forties and fifties. Musicians pick up sounds and incorporate that into their playing, so the music that they make will be different.
Music is the electric soil in which the spirit thinks, lives and invents. All that's electrical stimulates the mind to flowing surging musical creation. I am electrical by nature.
We're dealing with music that is being played by traditional instruments in a specifically built building called a concert hall. But classical is not - the reference is wrong, because classical on one hand refers to one period in musical history, which is Mozart, Hayden, Beethoven, which is a fine period in musical history, but it was a while ago.On the other hand, it sort of alludes to some kind of "class," which A, is not true; B, is kind of detrimental to the whole idea. Because the point is that this music is available and it's actually relatively reasonably priced.
The wonders of the music of the future will be of a higher & wider scale and will introduce many sounds that the human ear is now incapable of hearing. Among these new sounds will be the glorious music of angelic chorales. As men hear these they will cease to consider Angels as figments of their imagination.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
When I was 4 years old my mother put me into an early music education school. That's where they taught you perfect pitch and harmony and how to write music and all that. At that time, one of the homeworks was to listen to all the sounds and the noise of a day and transfer that into musical notes.
I think the music defends myself. I don't think anyone should put a race on any genre. It's just a way of expressing yourself through instruments and sounds, right? People can just listen to the music.
In any communication, or in any situation which you cannot confront because it is exaggerating, hot or aggressive, just change your breath. Breathe through the lips instead of through the nostrils. Exhale always through the nostrils. Inhale through the rolled lips and make it slow and long. It will slow everything as required. It will increase your sensitivity. It will give you 10 times more projection over the person you are talking to.
Maybe we should have gone with him," he said, a few minutes after his friend was lost to sight. "Three of us would make four times the noise he will," Halt said. Horace frowned, not quite understanding the equation. "Wouldn't three of us make three times the noise?" Halt shook his head. "Will and Tug will make hardly any noise. Neither will Abelard and I. But as for you and that moving earthquake you call a horse..." He gestured at Kicker and left the rest unsaid.
To know the piano is to know the universe. To master the piano is to master the universe. The spectrum of piano sound acts as a prism through which all musical and non-musical sounds may be filtered. The grunts of sheep, the braying of mules, the popping of champagne corks, the sighs of unrequited love, not to mention the full lexicon of sounds available to all other instruments-including whistles, scrapes, bleatings, caresses, thuds, hoots, plus sweet and sour pluckings-fall within the sovereignty of this most bare and dissembling chameleon.
I'm obsessed - not just interested, obsessed - with folk music, street music, the parallels between a country's street music and its so-called classical and intellectual music, the way certain scales have travelled right across the globe. All this ethnological and musical interaction fascinates me. Have you heard any trance music? That's the thing.
I want to make music that will make the blood surge in your veins, music that will get people up and dance.
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