A Quote by John Cage

A sound does not view itself as thought, as ought, as needing another sound for its elucidation, as etc.; it has not time for any consideration--it is occupied with the performance of its characteristics: before it has died away it must have made perfectly exact its frequency, its loudness, its length, its overtone structure, the precise morphology of these and of itself.
Thought must be divided against itself before it can come to any knowledge of itself.
Life is occupied in both perpetuating itself and in surpassing itself; if all it does is maintain itself, then living is only not dying.
I needed another basis for musical structure. This I found in sound's duration parameter, sound's only parameter which is present even when no sound is intended.
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
Remember that your thoughts are the primary cause of everything. So when you think a sustained thought it is immediately sent out into the Universe. That thought magnetically attaches itself to the like frequency, and then within seconds sends the reading of that frequency back to you through your feelings. Put another way, your feelings are communicated back to you from the Universe, telling you what frequency you are currently on. Your feelings are your frequency feedback mechanism!
In a world apart from God, the power of denial is absolutely essential if life is to proceed. The will or spirit cannot-psychologically cannot-sustain itself for any length of time in the face of what it clearly acknowledges to be the case. Therefore it must deny and evade and delude itself.
All the things that have ever deeply possessed your soul have been but hints of it, tantalizing glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest - if there ever came an echo that did not die away but swelled into the sound itself - you would know it. Beyond all possibility of doubt you would say 'Here at last is the thing I was made for.'
I think one thing that helped the sound change, it's a real subtle thing; it's just one switch on my bass, it has three positions, and I usually boost the mid-range frequency, I lowered the frequency that I boost, and that goes out to the sound system, too.
The ascent of any route begins, in dreams at least, the autumn before. Our minds ring, involuntarily, with the alluring names of mountains, aiguilles, faces and ridges, Is it the name itself which is so tempting, or the picture we have of the mountain itself, or does the appeal come from our feeling of the actual process of climbing? All of us have our reasons, innumerable, personal and complex. From many points of view a climb is a challenge we must meet.
One of the main things I look for in a guitarist is in the sound itself. I go for a certain sound, and I think it's an important thing for making a player more identifiable in the big giant pool of musicians out there. You want a sound that people will recognise just as much as your playing.
Love born in the brain is more spirited, doubtless, than true love, but it has only flashes of enthusiasm; it knows itself too well, it criticizes itself incessantly; so far from banishing thought, it is itself reared only upon a structure of thought.
Silence was not the absence of sound but was itself a sound that could be loud or soft, soothing or disturbing, complex or simple.
Frequent elections are unquestionably the only policy by which this dependence and sympathy can be effectually secured. But what particular degree of frequency may be absolutely necessary for the purpose, does not appear to be susceptible of any precise calculation; and must depend on a variety of circumstances with which it may be connected. Let us consult experience, the guide that ought always to be followed, whenever it can be found.
Awakening of Western thought will not be complete until that thought steps outside itself and comes to an understanding with the search for a world-view as this manifests itself in the thought of mankind as a whole.
We need a certain amount of energy to produce the sound. But then to sustain it, we have to give more energy, or otherwise, it goes and it dies in silence. And therefore, sound is absolutely, inextricably connected to time, the length of time.
Music was the only voice of cinema for a very long time before we had sound; it's organically linked to cinema itself.
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