A Quote by John Cage
When I went to the analyst for a kind of preliminary meeting, he said, 'I'll be able to fix you so that you'll write much more music than you do now.' I said, 'Good heavens! I already write too much, it seems to me.' That promise of his put me off.
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I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
Because I work so much, people think that I have a team writing for me, but that's not why I chose to write music for films. I chose to write music because I like to write music. So every single note that comes out of my studio is written by me, and I wouldn't be able to do two movies at the same time.
The time came where I was able to write an original screenplay [Allied], and it would be read and noticed. I had a meeting with Brad [Pitt], just around the time that he was making World War Z. I basically told him the story and said, "This is what I want to do," and he really responded, so that helped me put the thing together and write it.
Most of my teachers wanted to send me to the principal's office. But my fourth-grade teacher once put her arms around me and said, 'You sure write well.' And I've had good penmanship until this day. She was the only one who ever said anything nice to me. That's the kind of motivation that students need.
On the return flight from my mother in Florida , I sat next to a businessman who asked me what I did for a living. I said, "I write," and it seemed totally ridiculous in the face of what had just happened. I mean, I couldn't think of anything more pointless than telling stories. He asked, "What do you write?" I said, "I write children books."
"What are you going to do?" "Can't say - run for president, write -" "Greenwich Village?" "Good heavens, no - I said write - not drink."
I love making music. I feel like people often get into that 'you should only make music for yourself' kind of place, where they say things like, "I don't write for other people, I write for myself," and I feel like that misses the mark so much because music, especially pop music, is so much more than yourself.
What profession is more trying than that of author? After you finish a piece of work it only seems good to you for a few weeks; or if it seems good at all you are convinced that it is the last you will be able to write; and if it seems bad you wonder whether everything you have done isn’t poor stuff really; and it is one kind of agony while you are writing, and another kind when you aren’t.
Write," he said. "I'll write to you as soon as I get there," answered Julian. "No. Not to me. Write books. Not letters. Write them for me, for Penelope.
I have been shown so much kindness in my life, so for me to write books about good, kind people seems completely natural.
You remember too much," my mother said to me recently. "Why hold onto all that?" And I said, "where can I put it down?
He was not such a special person. He loved to read very much, and also to write. He was a poet, and he exhibited me many of his poems. I remember many of them. They were silly, you could say, and about love. He was always in his room writing those things, and never with people. I used to tell him, What good is all that love doing on paper? I said, Let love write on you for a little. But he was so stubborn. Or perhaps he was only timid.
I certainly had no feeling for harmony, and Schoenberg thought that that would make it impossible for me to write music. He said, 'You'll come to a wall you won't be able to get through.' So I said, 'I'll beat my head against that wall.'
I get to keep you,” he said, staring at me with an intensity that made me shiver. “Keep me?” I asked, reaching up to kiss his chin and trail kisses down his perfect neck. “Not here. I can’t take much more, Pagan. I’m only so strong,” he said in a husky voice as he pulled me against his chest. “You’re mine now. While you walk the Earth you belong to me. Nothing can hurt you.” I heard a touch of humor in his voice. “It’s pretty impossible to hurt what Death protects.
You're so kind, Kazuhiko. That's what I like about you." I like you, too. I love you so much." If he weren't so inarticulate, Kazuhiko could have said so much more. How much her expression, her gentle manner, her pure untainted soul meant to him. How important, in short, her existence was to him. But he wasn't able to put into words. He was only a third-year student in junior high, and worst yet, composition was one of his worst subjects.
I Promise," Shane said. "You'd better, jerkface," Eve said. "How's the head?" "Taped. It's fine, chicks dig scars. Wait, did you just call me jerkface? Are we back in grade school?" "I love you," Eve said. He closed his moth, fast, because obviously that was not what he'd expected. "I, uh, okay, love you too. Can we stop that? It's uncomfortable." "Jerkface." "Much better.
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