A Quote by John Cage

Everything we do is music." (Classical Composer)(From: 4'33") — © John Cage
Everything we do is music." (Classical Composer)(From: 4'33")
I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
In India, I have been called a 'destroyer.' But that is only because they mixed my identity as a performer and as a composer. As a composer I have tried everything, even electronic music and avant-garde. But as a performer I am, believe me, getting more classical and more orthodox, jealously protecting the heritage that I have learned.
If you ever ask me what my all-time dream character is, my answer will be Mia Tansen, the great composer-musician in Hindustani classical music. And ideally, the film should be directed by a person like Bhansali who is a great director and has a marvellous sense of classical music.
I started writing music as a composer in school, in the classical tradition.
My entire family are in music and my father was a classical singer, teacher and composer.
When I was 20, Shostakovich was my favorite composer. I still find his Fifth Symphony wonderful, with its outstanding themes and rhythms. That's the piece that made me want to be a classical composer.
It's really been enlightening for me to work with composers because I used to think that everything in the music was exactly what the composer meant. Well, it's what the composer meant in that moment when they wrote it.
I do not think classical music faces any threat because new music is being made through computer, as the real charm of classical is its purity, and one who is seeking purity will surely find classical music in spite of so many alternatives.
There is no essential difference between classical and popular music. Music is music. I want to communicate with the listener who finds Indian classical music remote.
I can admire music where you feel the composer has everything organized and perfectly shaped, but it doesn't touch me. I like to feel that a composer is wounded, like all of us.
Every composer's music reflects in its subject-matter and in its style the source of the money the composer is living on while writing the music.
I had great inspiration from a Japanese composer named Toru Takemitsu. He wrote over 90 film scores and a lot of concert music, a lot of classical music, and he gave me a lot of inspiration, as well as composers from other countries.
Classical music only really came into my life in 1969. I wish I had heard classical music and church music when I was a teenager or even as a child.
I grew up mostly in Champaign, Illinois. My dad was at the University of East Illinois, so I was always around the music. One of my dad's buddies was the avant-garde composer John Cage, so I picked up on that weird classical and eclectic music.
When I listen to music today, it is about 99 percent classical. I rarely even listen to folk music, the music of my own specialty, because folk music is to me more limited than classical music.
See, as a music composer, I am not competing with any music composer.
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