A Quote by John Cage
I imagine that as contemporary music goes on changing in the way that I'm changing it what will be done is to more and more completely liberate sounds from abstract ideas about them and more and more exactly to let them be physically uniquely themselves. This means for me: knowing more and more not what I think a sound is but what it actually is in all of its acoustical details and then letting this sound exist, itself, changing in a changing sonorous environment.
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What I mean is this: you meet someone, you think about them. You're already changing because of the way you think about them. You meet them again, you think about them some more, you're changing again. And on it goes. You are changing right now. Before my eyes.
It has seemed to me that literature, as I meant it, was embattled, that it was increasingly difficult to find writing doing what I thought literature should do - which was simply to push people into changing their ideas about the world, and to go further, to encourage us in the work of changing the world, to making it more just and more truly human.
The world is changing, and the way we consume music is obviously changing. I was one of the biggest CD advocates you will find, but when Apple music and digital options came out, like for everyone else, it was more conducive to my lifestyle.
Less fear; more hope: just four little four-letter words, but when they are vividly felt as emotion, they are behavior changing, life changing, world-changing.
I just think that the way the industry is changing and the world is changing, it might make more sense in two years for bands to have a different band name every time.
Change isn't easy. Changing the way you live means changing the way you think, means changing what you believe about life. That's hard.
What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on.
I started in '69 to have psychoanalysis, and I realised very soon that I was changing, and that's I think why my movies were changing. They became much more open to dialogue.
I'm getting ready to write a piece now, and it's been six months thinking about it, changing the instrumentation, changing the name, doing more reading.
Nothing is more difficult to accomplish than changing outward actions without changing inward feelings.
Fans tend to think that if you fall in love with an artist... and then he gets bigger, and he grows, and he starts to make a different sound, 'He's changing on us.' But with me, I created all types of sounds from the get go, so you can never say I'm changing; you can never say I'm going mainstream or I'm selling out.
For me as an audience member, it makes the characters more relatable and interesting if they're evolving and changing - it makes them feel more real in a way. But not every cartoon is trying to be real.
If, for example, I saw my grandparents or my daughter for an instant, would I recognize them? Probably not, because in looking so hard for a way to keep them alive, remembering them in the most minimal details, I have been changing them, adorning them with qualities they may not have had. I have given them a destiny much more complex than the ones they lived.
the more we are focused on controlling and changing others, the more unmanageable our life becomes. The more we focus on living our own life, the more we have a life to live, and the more manageable our life will become.
In a changing global landscape, Europe will be more and more an indispensible power.
Inside the world of 'Devil May Cry,' we're not changing gameplay very much. We're making it more beautiful, more action-packed, and giving you a few more features, but the gameplay itself is the pretty much the same.
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