A Quote by John Cale

I'm content with making records, but I don't want to be doing the same thing all the time. — © John Cale
I'm content with making records, but I don't want to be doing the same thing all the time.
I make records all the time. But making records is not quite the same as getting them to the audience.
There's this celebrity thing that goes along with making records or being a rock star. I'm into this celebrity thing just enough to let me go on making records and making a living out of it.
There are records I'll listen to one time and zero in on what's happening, and then I'll listen again to something I didn't notice the first time. The art of making records is something like this: you want to provide a multiplicity of experience in a single object, which is to say you want layers so that people can revisit and have something revealed to them that wasn't apparent the first time. We often will listen to the same music over and over again, and that tells you something, too.
That's the thing I love the most - making records and creating new things. That's always the thing that grabbed me. Making records is the thing that I really love.
I'm tired of being in a band, but I do want to continue making records and performing, at least a little bit. Making the records isn't always fun. It's fun to be finished with them. Making beautiful things can be quite painful.
I love making records, and part of really doing that and being happy about it is just that each time I've done something, I come to terms with what maybe is wrong with it, and then I move on to the next thing.
I wonder a lot about making things meaningful. You want to do meaningful work and make art, but you're making records, which is good, but you don't want to weight them - it's a very curious thing.
I just want to keep making music, recording and trying different things. I don't want to do the same thing all the time.
Any time you can give consumers more of what they want, it's a good thing. Unbundling the album is a good thing. In the case of music - because it is content that you can slice into songs - doing that is of huge benefit to consumers.
I thought of a lot of people from the same era when I was making a lot of records that had continued making a lot of records. A lot of it didn't seem terribly inspired.
A lot of people felt I was getting work because I was Boy George. My response at the time was that there's a lot of DJs making records, they're not all making good records, but they have the right to do that.
I'm not the cool thing, and I'm not going to be the cool thing for a really long time, and it isn't like I'm not the cool thing and I sell 3,000,000 records every time. I'm not the cool thing, and I barely sell 150,000 records, if that, ever. So I'm obviously working really hard to sustain myself. I'm actually a target to be dropped, because that's just not enough records for a big company.
Rock 'n' roll and playing live is very addictive. But you have to really be careful, because you don't want to do it all the time. It's like when you are young and you think if you are not having sex you're wasting your time. But as you get older you realise everything has its place. It's the same thing with performing.... Performing is a great thing to do but you don't want to have to be doing it every night.
I like change, like anybody. You don't want to keep doing the same thing because then it gets harder to take chances, be creative, and feel inspired when you're doing the same thing.
It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.
They [ Factory Records] are always looking for the next group, the next big thing, to bring the record sales in and for them to promote and everything, but Factory just sign who they want to, put records by who they want to out, package it how they want to, how they like doing it. It's just run like that.
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