A Quote by John Cameron Mitchell

Ibsen, Chekhov, Shakespeare, and Beckett to me are the most revolutionary. — © John Cameron Mitchell
Ibsen, Chekhov, Shakespeare, and Beckett to me are the most revolutionary.
When I started in the theater, I'd do plays by Shakespeare or Ibsen or Chekhov, and they all created great women's roles.
I enjoy all forms of writing, but playwrighting is what made me what I am. Not only working with the ghosts of Chekhov and Ibsen and Shakespeare, but what it is to be a playwright, to be interacting with human beings in the live theater and affect people on such a direct, emotional level.
I don't think my looks are modern. I always imagined I'd end up doing Chekhov, Ibsen and Shakespeare all my life and never play a contemporary character.
Whether they know it or not, most American playgoers owe an incalculably great debt to translators. Were it not for their work, comparatively few of us would be able to enjoy the plays of Chekhov, Ibsen or Moliere.
I did [Henrik] Ibsen and [Anton] Chekhov for years. Obviously I didn't get the kind of recognition I have now. Somebody once told me, "You ride the horse the direction it's going."
I can always do theater; I can do Ibsen, I can do Macbeth, I can do Chekhov, I can do Moliere, Othello, I can do Richard III.
[Anton] Chekhov is the most produced playwright in the world after Shakespeare, and most of the people in my sort of audience would have seen at least one of his plays.
I played Hamlet, I played Chekhov and Ibsen and all the classics.
I'm always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
You rarely pay the rent by doing Shakespeare or Ibsen.
Im always keeping an eye out for a period piece. I was trained in theatre, so most of the things we did were classical - Shakespeare, Moliere, and Chekhov.
When I was a kid, I wanted to be an actor in classics like Shaw and Shakespeare and Chekov and Ibsen.
I've played Beckett. I put on in the 1950s the first Australian production of 'Waiting for Godot.' I played Estragon. The most interesting conversation I've had about Beckett was with a Dublin taxi driver.
I'm sort of nerdy, I liked Shakespeare and Chekhov and the classics.
Unless you're doing Shakespeare or Chekhov... the written word is not sacrosanct.
The conversation with the dead is one of the great pleasures of life. Somebody who is sitting reading Chekhov, Beckett, reading Toni Morrison - you are not in any way dead, in many ways you are intensely alive.
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