A Quote by John Cameron Mitchell

I know what it's like to audition, so it's important that everybody who auditions, even if I know right off they're not right for it, has a good experience. So I'll never just have someone do one pass at it and say "Thank you".
People think that a good passer is a flashy passer. But that's not a good pass. It's just a flashy pass. A good passer is someone who's gonna hit the guy right on the hands, and the timing is correct. You pass late, and it's not a good pass. You pass too early, it's not a good pass, either. If it's off-target, it's not a good pass.
I'll tell you how you know when you're on something good: when everybody starts to tear up when they're leaving, when they're wrapping for the season. You know, when you say, "All right, we're done with McGillicuddy. That's a wrap for McGillicuddy!" And everybody applauds, but everybody's sad, because McGillicuddy's going to be gone! You know, it's like family going off to college or war. You have this intimate relationship with these people, and then - bam! - they're gone.
There's never the right last moment. Even if you get to say good-bye, even if you get to say "I love you", even if you jump off a plane and get a tattoo and hug everyone you've ever met right before you drift off with a smile, it is never the right last moment. There is always more to say, somewhere to go, something to remember. Another discussion, another fight. There is always supposed to be another day.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on 'New Girl,' and what my experience on 'Veronica Mars' was like. Everybody was just so great.
So when you go to a set and you just fully trust everybody, you know how hard everybody's working, you know that the people doing it are good and have such a strong vision - that's exactly my experience on New Girl, and what my experience on Veronica Mars was like. Everybody was just so great.
I see women who have this struggle between what they know is right, what they know is necessary, what they know is healthy, what they know is good for them, what they know is good for the work that they need to do, what they know is good for their bodies, what they know is good for their families - all too often ending that statement with the upturned question mark: "If it's okay with everyone?" Still asking, still requesting, still filing petitions for somebody to say that it's all right.
You know, it only happens a handful of times in your career, where you walk out of an audition feeling like all the stars aligned, my preparation paid off, something magical happened in the room. I've gotten really lucky and I've gotten to work a lot, and I would say it's only happened, like, two or three times, where I've walked out and been like, This was the right thing and the right choice and they should just cast me.
Of course, for me Naked Lunch was the big one, but I still believe I was right to pass on that. James Grauerholz and Barry Miles did an important job with their 2003 "Restored" edition because they knew what they wanted to do, and what they could do. At the time, I simply didn't know. I hadn't even edited Junky back then. So I did the right thing to pass. Instead, what I most want to do now is complete "The Making of Naked Lunch," on which I have been working, on and off, these past 25 years.
I've totally learned in this process that 99% of the time, your gut is right, and you know what's right for you. I know exactly what's right for my career and for my art, and sometimes, even if the whole room is saying, 'Don't do that, don't do that,' you know that doing that is going to be good for you, in the long run.
Looking back I didn't even know I was depressed, I was just so used to feeling that way and thought that was what life was. I tried telling my family and friends but they just blow you off and say: 'Yeh right.' They don't know what it is, so they just don't want to be around that.
Dear Complete and Utter Stranger, The first thing that I have to say is that I hate oatmeal. I really hate it. And you know what? If you like oatmeal at all? I mean even the tiniest bit? I mean, say you were lost in the Himalayas, right, and you hadn't eaten anything except a Mars Bar for about seven years, right, and you're really cold and your fingers are all dropping off, right, and you look behind this rock, and there's this bowl of oatmeal? Say you would even think about eating the oatmeal? Well, JUST DON'T BOTHER WRITING TO ME, OKAY?
You know someone's right for you when the things they don't have to say are even more important than the things they do.
That's what I want to do with my life. Be a good person when all the lights are off. When everybody doesn't need to see you, shine and know that you know you did the right thing at the end of the day.
I'm jumping in right now. And I'm going to say that everybody I know has a 'day I met CM Punk story' and they're all 100% fabrication. It's all bullshit. Thank you.
It's fun right now, and I love it right now, but I don't know where I'm going to be tomorrow, 'cause I'm not psychic. But I know that over the last 10 years, acting has been the only joy, this has been - it's strange to say, 'cause the thinking is off. But this is more important than my hobbies, my family, my love, my friends. It's the most important thing in the world to me.
Say thank you! I want to hear you say it now. Out loud. 'Thank you.' You're saying thank you because your faith is so strong that you don't doubt that whatever the problem, you'll get through it. You're saying thank you because you know that even in the eye of the storm, God has put a rainbow in the clouds. You're saying thank you because you know there's no problem created that can compare to the Creator of all things. Say thank you!
This site uses cookies to ensure you get the best experience. More info...
Got it!