A Quote by John Cameron Mitchell

'Hedwig' is unabashedly analog. — © John Cameron Mitchell
'Hedwig' is unabashedly analog.

Quote Topics

'Hedwig' was born in '94. I was thinking of a theater piece; Hedwig was one of the characters.
I like to work with a combination of analog and Pro Tools. I love the sound of analog tape, but there's so many things you can do with Pro Tools that would be incredibly difficult and very time-consuming with analog.
'Brace the Wave' is an acoustic-electric record recorded with electricity on analog-digital and digitally-analog equipment.
I had the time to take the original analog tapes and fix all the things I didn't like, so all I left was essentially the benefits of the analog with none of the disadvantages.
I love music with real instruments. I'm not one of those guys that's a purist about analog vs. digital, but I love the analog approach. Sonically, I connect to that.
One day, digital will be it. Analog will just be another oddity, and that's fine, too. I have no great misgivings about it, but there will always be something to analog. It's the smell of the tape and all that visceral, physical stuff.
I don't have any computers in my studio, it's all analog tape. All analog tape, all old equipment, I mean my mics are like from the 60's and early 70's, everything in there is old.
We believe that the next generation of powerful mobile companies have a deep understanding of the world as a unified whole, where digital and analog experiences affect each other rather than transporting analog experiences into the digital realm.
Conscious mind is a spatial analog of the world and mental acts are analogs of bodily acts. Consciousness operates only on objectively observable things. Or, to say it another way with echoes of John Locke, there is nothing in consciousness that is not an analog of something that was in behavior first.
I'm a huge Boards Of Canada fan. They're my favorite contemporary band. The interesting thing about Boards Of Canada is, they use analog and digital recording techniques, and nobody really knows how they get their sound. But I think that very warm, enveloping analog sound.
Tactility was rejected in conceptual photography. I embrace the possibilities of my medium. Surface, texture, and tactility is something analog photography can do well, or it is something I can do well in analog photography. It can be hard to know what or who is in control.
We have said that consciousness is an operation rather than a thing, a repository, or a function. It operates by way of analogy, by way of constructing an analog space with an analog 'I' that can observe that space, and move metaphorically in it. It operates on any reactivity, excerpts relevant aspects, narratizes and conciliates them together in a metaphorical space where such meanings can be manipulated like things in space.
I'm not interested in replicating 'Hedwig' like a virus.
Doing 'Hedwig' totally contributed to my acceptance of myself.
Doing 'Hedwig' was so hard that I kind of burned out on acting.
I'm not a particularly cerebral writer. I unabashedly go for the belly.
This site uses cookies to ensure you get the best experience. More info...
Got it!