A Quote by John Carter Cash

He was just Dad. But it's hard to deny who he was when you're brought out on stage, and you're standing beside this great man singing at the end of a show, and the crowd loves him.
This is how it essentially is for Bunny Junior. He loves his dad. He thinks there is no dad better, cleverer, or more capable, and he stands there beside him with a sense of pride - he's my dad - and he also, of course, stands beside him because he has nowhere else to go.
The second show [Judas Priest] there was a point where I stood back. We had a 40-foot ramp that went out into the crowd. Rob came out on the bike. It was raining. He drove the bike to the end of the ramp. I'm standing there looking at him. Rain coming down. Lights flashing. Blue smoke everywhere from the bike. He's on the bike with his metal horns in the air, and there were 30,000 people in front of him screaming. I remember thinking, "This is real."
My father was a singer. So it just kind of happened that one Sunday while my dad was singing, I just walked out and stood next to him, and I started singing the song that he was leading, and I sang it in perfect pitch.
My dad is just like everybody else's dad. I see him as kind of a goofy guy with a great sense of humor. I try to get in a battle of wits with him, but he always gets me. I emulate him because I've never seen anyone work as hard as he does.
I'm neurotic in the sense that I can have a crowd of 300 people cheering you, applauding you, standing O, but one guy come out of the audience and go, "Hey man, you should have cut 20 minutes. That wasn't so good." And I'll just obsess on that one guy. After all this love, I'll obsess on him and want to smash his face in and strangle him and kick him down the stairs and I'll be pouting about that one guy all night.
My dad took me for an audition once, to show me, 'OK, you want to be a child actor, this is what it's like.' I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing 'Memory.' I was terrible. Terrible.
My dad took me for an audition once, to show me, OK, you want to be a child actor, this is what its like. I sang a folk song about donkeys on this West End stage with this big director, and there was a queue of 200 girls all singing Memory. I was terrible. Terrible.
Our shows have always been sort of an all-generations thing, people from 6 to 60. The other night, we played a show and we had a woman who was probably 70 to 75 years old, and she was there alone and she was singing every song. On the other end of the spectrum, there was a 7-year-old on his dad's shoulders and the dad is singing along.
Suddenly he saw himself as others in the crowd must surely see him; a silent, solitary figure, standing apart from the rest. He looked out at the hoardes of singing, laughing people and felt more alone than he'd ever felt in his life. Was this how it was going to be then? Was this who he was? A man apart from his fellows, making the journey through life alone?
When I realized I was having a baby boy, I wanted him to know that I'm there in his life: 'Dad loves him. Dad's always going to support him and be there for him.' I don't want him to have to worry about anything.
In my Comedy Club sets, I just work on what is fresh and try to build that show as long as I can. I don't like to do burnt material on stage. Even though my crowd loves to hear me do old stuff, I don't like to do old stuff.
He loves power. He loves control because others, you know, dad and stuff like that, but he's just a great guy. He's just a great guy.
You're attracted to him," Kylie said. "And don't try to deny it. You've even admitted that much to me." "Okay, I won't deny that. He's got that whole hard body, vampire magnetism going for him. But when I was young, I had a crush on Big Bird. That wouldn't have worked out either.
I'm trying to get better at singing. I just want to be great vocally on stage so I can give fans a real show, like Jazmine Sullivan does.
If any man would come after me, let him deny himself." The disciple must say to himself the same words Peter said of Christ when he denied him: "I know not this man." Self-denial is never just a series of isolated acts of mortification or asceticism. It is not suicide, for there is an element of self-will even in that. To deny oneself is to be aware only of Christ and no more of self, to see only him who goes before and no more the road which is too hard for us. Once more, all that self denial can say is: "He leads the way, keep close to him.
There's no such thing as standing still and just singing a song. I love jumping into the crowd. I love to dance.
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