A Quote by John Carter Cash
Some folks expect my music to sound like my dad's.
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You see people you identify with, and you take pieces of people you like and shape who you are. Like, I sound just like my dad. But that's literally my vocal chords. I can't sound like anything else... I sound like him, but I act like myself.
I never felt like I had to sound like my dad. I wanted my music to be creative expression with no expectations.
I find there is room in music to talk with music. It may expand ways people can participate with music. It doesn't sound hokey or like some kind of voice-over.
I'd like to teach kids how to write songs. This will be my first year so I'm just as green as some of the rest of the folks. It's like a music camp and I get to hang out with some of the past contestants.
If sound is music and came from silence, then silence is potentially greater than sound. If the sound is effective, it should actually have a chemical - some sort of physiological - effect on the listener, so he doesn't have to hear that sound again.
I think it's a little much to expect the organisation to solve the problem of racial parity. We do see a fast-increasing influx of Asians, black folks. I actually see black folks out here, unlike some of our liberal critics.
Some folks rail against other folks, because other folks have what some folks would be glad of.
If music was made by some kind of critical theorist, it would sound like my music.
There's two or three kids out there trying to make good music, and the rest of them sound like it's been strained through some kind of white toast or something. It all sounds just too neat and perfect, with no surprise to it at all. No story, no nothing. It's like building cars, like an assembly line. It doesn't sound like anything that came from a guitar.
I have a high range. Sometimes I sound like Stevie Winwood. Some people say I sound like Peter Gabriel. Some of the songs I write are funky. Others are slow. Some are ponderous, and some are there to shock. I must say some are pretty damn good, too.
What I'm after is a composed music that will sound like improvised music when improvisors play it. You shouldn't be able to tell what parts are being improvised and what parts were written out beforehand; it should sound like the same music.
I think my love of music comes from my dad. I was born with an ear for music, like him, and started with the piano when I was 4 but fell in love with the drums. My dad always has music playing.
Well, you know it was so different from when you rehearsed. You're out there with your guitar and trying to get a sound, but it doesn't sound anything like what you expect!
Given this voice, I know it does sound like I've come from money. But my dad was Canadian and my mum Hungarian, so it's not like I have some high-society, upper-class English background.
As a DJ, people expect a certain sound and a certain danceability for the music. As a producer, I really like to let go of any rules that may exist.
Guys like Future and me, we help create and shape the sound of music - not just Atlanta music, but music all over. If you really pay attention to the music being made, a lot of that is very heavily influenced by the stuff that we created. I listen to so many songs that's like, 'Damn, this sounds like my music!'
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