A Quote by John Carter Cash
I try to weigh out the dark and the light. They were both very real aspects of my Dad. To me, the good and the healing and the light outweigh the dark so much, and that's why I focus on the good.
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The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus.
When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about.
An artist is either good at color or good at value but rarely good at both. I focus on the tonal range, the dark-light effects, rather than the full color range of bright colors. I just don't know what to do with all those cadmiums.
To go in the dark with a light is to know the light.
To know the dark, go dark. Go without sight,
and find that the dark, too, blooms and sings,
and is traveled by dark feet and dark wings.
That's what you gonna get with me: the dark aspects of life. Of course, you've got to have some type of light in there, but if it was all light, you'd be blinded. You've got to balance them out.
It's like you run into this dark tunnel, trusting that somewhere there's another end to it where you're going to come out. And there's a point in the middle where it's just dark. There's no light from where you came in and there's no light at the other end; all you can do is keep running. And then you start to see a little light, and a little more light, and then, bam! You're out in the sun.
Nobody's all good or bad, and nobody's all light or dark. Every human being has so many different aspects and facets to them. And there can be something noble and something really dark and dangerous going on in a person all at the same time.
I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.
There might not be so much of a difference between the side of Light and the side of Dark as you suppose. After all, without the Dark, there is nothing for the light to burn away.
There's always going to be bad stuff out there. But here's the amazing thing -- light trumps darkness, every time. You stick a candle into the dark, but you can't stick the dark into the light.
'Triboluminescence' is actually a scientific world meaning striking something and creating light from dark. I thought it was a great word and that is was a very apt metaphor for making music - or any creative act, really. We all start in the dark and have to create light.
What I have found is, so much of that is like a Chinese finger trap: the more you play to the dark, the more you will get trapped in the dark, and if you just play to the light and focus on the people that don't misunderstand you and focus on the audience that does celebrate you and focus on the people who aren't trying to tear you down, all that other stuff eventually erases itself because it has nothing to feed on.
If you're going into a very dark place, then you should take a bright light, and shine it on everything. If you don't want to see, why in God's name would you dare the dark at all?
Light seeking light doth light of light beguile: So, ere you find where light in darkness lies, Your light grows dark by losing of your eyes.
Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.
Well, my dad was into music, but he wasn't into me being into music. In my house when I was a kid, when I was real young, my dad wanted us all to play sports, and we were jock-like. We had a lot of money. And my brother was sort of the light of our family, and he was a good athlete. And I wasn't a very good athlete, but I tried to be. And then when I was 15 my dad went bankrupt, and we moved to Houston. And I went with him, but then I went back to Portland.
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