A Quote by John Carter Cash

My father was a very prolific writer and he left behind a huge body of unpublished work. — © John Carter Cash
My father was a very prolific writer and he left behind a huge body of unpublished work.
Big Stephen King fan. I think he's dismissed often as a hack probably because of his prolific body of work, but he's anything but. I think he's a terrific writer. And not just a genre writer; he really approaches a number of complexities in everything he writes. So I'm a huge fan.
In the end, the difference between a published writer and an unpublished one comes down to one thing: The unpublished writer gave up, and the published writer didn't.
I'm probably better known in the US as a YA writer, I have a huge body of adult horror and fantasy behind me.
I spend a lot of time thinking, if not daydreaming. People think of me as a genre writer, and a genre writer is supposed to be prolific. Since that's how people perceive me, they have to say I'm prolific. But I don't find that either complimentary or accurate.
Salter is a writer who particularly rewards those for whom reading is an intense pleasure. He is among the very few North American writers all of whose work I want to read, whose as-yet-unpublished books I wait for impatiently.
I've always been a very prolific writer.
When boys and girls go out to play there is always someone left behind, and the boy who is left behind is no use to the girl who is left behind.
'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.
My father told me never to take my foot off a ladder to kick at someone who was kicking at me. When I did that, I would no longer be climbing. While they are kicking, my father told me, I should keep stepping. They can kick only one time. If I continued to climb, they would be left behind. In trying to hurt me, to impede my progress, they would get left behind because they allowed themselves to get sidetracked from their agenda.
I lived in New York until I was eleven years old, when my mother left my two older sisters and my father. My mother is 90 percent blind and deaf. She left and moved all the way to California. So I left my two older sisters and my father behind at the age of eleven and moved cross-country to take care of her.
Anorexia was my attempt to have control over my body and manipulate my body and starve my body and shape my body. It was not a very good relationship. It was the sort of relationship my father had to my body. It was a tyrannical, "you'll do what I tell you" relationship.
I lived in Greece for about four years of my life, and living there had a huge impact on my life growing up. My father was very much adamant that we would learn about our culture. It's a very rich culture to be a part of since it has such a great history behind it. I definitely carry that in my job, and I am very passionate.
The only difference between a published and unpublished writer is a tolerance for imperfection.
George is so prolific as a writer.
'Darkness on the Edge of Town' came out of a huge body of work that had tons of very happy songs.
My house is full of paintings by my mother Pam. She was a fantastic, prolific artist but had no confidence in herself, thanks to my father running her down. They married during the war when she was 19 - she had planned to go to art school. But my father didn't want her to work, so she became a housewife.
This site uses cookies to ensure you get the best experience. More info...
Got it!