A Quote by John Carter Cash

Nobody sounds like my dad. — © John Carter Cash
Nobody sounds like my dad.
My dad is my dad. I love him, and I realize that he's as famous as he is. Of course, I don't look at him like everybody else does. Because I know his little faults, I know his weaknesses. Nobody's perfect. But he's my dad. Just like your dad is to you.
To this day, there's nobody, nobody that sounds like Janice Joplin.
I got my own sound; nobody sounds like me.
I remember listening to Miles Davis in the car with my dad. I had just done my Grade 5 piano exam, and I was quite cocky. I said, 'It sounds like he's played the wrong note there.' I remember the look of horror on my dad's face, and thinking, 'Wow, I have to figure out why that is not acceptable.'
My dad graduated seminary there, and so did (sounds like) Mark Kimball's grandfather. They sang in a quartet together, my dad and Mark Kimball's grandfather.
My dad was proud of himself when he farted. He sounds like he's strangling a chicken when he farts.
You have to find your own shtick. A Picasso always looks like Picasso painted it. Hemingway always sounds like Hemingway. A Beethoven symphony always sounds like a Beethoven symphony. Part of being a master is learning how to sing in nobody else's voice but your own.
My dad is a really cool guy, but he showed me 'The Shining,' and I was like, 'Hey, dad. I'm thirsty. Let's go get a Coke.' So we went to the vending machine, and he hid... and I turned back, and I was like, 'Dad? Dad?' And the elevator scene came to my mind.
I like the sounds of EDM; the guys create new sounds, beautiful sounds. The melodies, it's a little less. I like the kind of melodies I did with Donna Summer, or 'Flashdance,' where you have a verse, a chorus - a song setup.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
I had a speech class in elementary school. And you know how teachers, when a kid is struggling to pronounce a word, used to lead him and say, 'Johnny, sounds like... ? Johnny, sounds like... ?' I said out loud, 'Sounds like Johnny can't read.' Teacher told me to leave the room.
[I did impressions] of relatives because I heard so many different sounds. My dad was in the music business and of course my uncle was a giant [music producer], but my dad in particular had the house filled with these Dixieland jazz stars.
I got to a happier point and then started making a record [Wild Things]. I don't mind at all that it sounds like LA, because LA was integral to me feeling better. Seeing the sunshine and all that other sorts of stuff was definitely a huge part in why the album sounds like it sounds.
I think I prefer singing in falsetto. I like the way it sounds. It doesn't sound like my natural voice. It sounds like a character.
It sounds like a cliché, but mother is really one of my closest friends, and so's my dad. He and I weren't very close when I was younger, but now we're best friends.
Most bands play one style of song. If you listen to Metallica it all sounds exactly like Metallica, and if you listen to Black Sabbath it all sounds like Black Sabbath. I like AC/DC a lot but you can pick those sounds out on the radio in a heartbeat because they all have certain things in common.
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