A Quote by John Cassavetes

I think I'm probably one of the worst directors around, but I do have an interest in my fellow man. — © John Cassavetes
I think I'm probably one of the worst directors around, but I do have an interest in my fellow man.
Marvel has this tradition, and I think that Sony has this tradition too, of hiring directors for Spider-Man who are dramatic directors. That are directors who are interested in human beings, in characters, in drama, and who are really good with actors. That kind of feels like a Spider-Man director to me. And because Spider-Man is always as big as the films that are being made at Marvel, it always is character and story. You can never take that out.
I have an expression I use as I've gone around the world through my career: 'You never tell another man or woman what's in their interest. They know their interest better than you know their interest.'
What impels every man to the utmost exertion in the service of his fellow man. Is, in the market not compulsion on the part of gendarmes, hangmen and penal courts, it is self interest.
We might think of dollars as being 'certificates of performance.' The better I serve my fellow man, and the higher the value he places on that service, the more certificates of performance he gives me. The more certificates I earn, the greater my claim on the goods my fellow man produces. That's the morality of the market. In order for one to have a claim on what his fellow man produces, he must first serve him.
I don't think I have advice for female directors as opposed to male directors. I think all first-time directors should try and be as prepared as they possibly can, because it's hard!
Men pray to the Almighty to relieve poverty. But poverty comes not from God's laws-it is blasphemy of the worst kind to say that. Poverty comes from man's injustice to his fellow man.
All of my fellow directors, I think, would agree that in whatever medium you are working, the challenges and obstacles push them to be more creative. That's the case with VR.
Some directors are really strong on action, manhandling you around the set; others are very focused on setting up the camera shots and practically ignore you. You have to get used to introverts, extroverts, directors who clown around for the crew, and the odd one who's monosyllabic.
I do like to work with young directors because it's such a difficult business that I think after directors have been around a while sometimes, not always, but sometimes their passion gets siphoned off because they get hurt.
A writer without interest or sympathy for the foibles of his fellow man is not conceivable as a writer.
When you make a film and it wins some award at a very select, very difficult festival such as Cannes, it's good for your fellow film directors and fellow citizens too. Because it shows them that this way is a real possibility.
I don't think of my books as being biographies. I never had any interest in doing a book just to write the life of a great man. I had zero interest in that. My interest is in power. How power works.
We should be slower to think that the man at his worst is the real man, and certain that the better we are ourselves the less likely is he to be at his worst in our company. Every time he talks away his own character before us he is signifying contempt for ours.
Prior to capitalism, the way people amassed great wealth was by looting, plundering and enslaving their fellow man. Capitalism made it possible to become wealthy by serving your fellow man.
I think audiences, producers and directors included, develop crushes on actors (actresses in particular) and then lose interest and move on to the next one.
Personally, I think that Hillary was one of the worst, if not the worst, I mean if you look at the record, secretary of States ever, ever in this country. I think that's the bigger problem that she's got. I don't think Benghazi is as big a problem for her as her past and what's happened. The world blew up around her.
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