A Quote by John Cena
I think with any challenge or any matchup, I can have my own personal feelings of what I want, but it really all depends on our audience. Our job is to give them the best entertainment that we feel is right. If it's something that they want to see, they'll be loud and vocal about it, and we'll do it.
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I just like to explore honest thoughts or feelings. How I'm feeling at the time. I want to explore it and talk about it and have a conversation with the audience. I want to throw something out there, see how they feel about it, and tell them how I feel about it. I know that's really relaxed, but that's the most fun.
My personal feelings are my personal feelings. I don't want to express them with anyone except for a very few people. It doesn't do any good. It really doesn't.
Ask any parent what we want for our children, and invariably we say 'a better life.' To that end, we give our time, our sleep, our money, and our dreams, much as our parents did before us. We all want a better life for our children. But what we want for them ceases to matter if we leave them an unlivable world.
I have a brilliant sound design team who's been working with me since 'Mr. Robot,' and one of the things we always think about - and it's also something we think about with cinematography - is how we get inside the characters' heads and how do we place the audience where we want them to be or how we want them to feel at any given moment.
These days, more than any other time, we are worried about our personal life, our private life. When we talk about our private life, it means our home, our body even. It seems that when we want to have calmness in this world, we make a wall around us. This gives us a very calm environment, and when we feel that somebody is intruding into that, it makes us very angry and we feel we have to do something about it.
I think Grace [Dunham] and I are always working from a personal place, and the fact that these were issues that we'd been talking about in our own families really clicked, but also Jason's [Benjamin] passion about it and his clear sense that this was going to be something emotional and remarkable to watch. It was very hard not get excited about it and want to help in any way we could.
I like owning my own narrative. It depends: I either give it all up, or I don't have any control. It's really hard to go halfway. Like with modeling, for example, I kind of give up all creative control, and that's just that. But when it comes to my own personal art, I'm very O.C.D. I see something a very certain way.
Well, besides being entertained, I’d like to move them emotionally. I mean I really want to uplift them. I want to look down at the audience, and this is personal experiences now I’m going to tell you. It’s like you look down at the audience and see people smiling, crying, hugging each other. I want them on their way home to feel empowered like they can do anything.
Many of us have a tendency to deny any negative feelings. We judge them as "bad" or "unenlightened" when, in fact, they are our stepping stone to enlightenment. Our so-called negative feelings or attitudes are really parts of ourselves that need recognition, love, and healing. Not only is it safe and healthy to acknowledge and accept all of our feelings and beliefs, it is necessary, if we are to get in touch with the fears and pockets of blocked energy that are holding us back from what we want.
It is hard living down the tempers we are born with. We all begin well, for in our youth there is nothing we are more intolerant of than our own sins writ large in others and we fight them fiercely in ourselves; but we grow old and we see that these our sins are of all sins the really harmless ones to own, nay that they give a charm to any character, and so our struggle with them dies away.
I don't want to be expected to fall in passively someone else's plans for me. That's what I don't want. I don't want it assumed that I simply don't have any personal goals or wishes of my own. Or any basic competence of my own. That's what I don't want!
I think people, if you really want to be happy, you have to find God yourself, and you're going to have to have a personal, one-on-one relationship and not look to get through these traditions or these rituals and all this crazy stuff when you could talk to him right here, right now, anytime, anywhere, any place, from any position. And that's the kind of relationship you want, not a standard.
What we really want to do is to be left alone. We don't want Negroes around. We don't need Negroes around. We're not asking - you know, we don't want to have them, you know, for our culture. We simply want our own country and our own society. That's in no way exploitive at all. We want our own society, our own nation....
In any big spectacular, it's really difficult to have enough voices to cover all the vocal parts. To give the audience the complete experience they're expecting, there is some reinforcement, some playback that everybody's hearing. Sometimes it's background vocals, but sometimes it will be actually vocal tracks. It's so hard to ensure, with no safety net ... you're not gonna get another shot at it, you have to have stability. I think it's very naïve of a lot of people to think that when you see someone open their mouth, they're really singing.
The audience wants something that entertains them, and whether that entertainment is in the form of a physical match or in the form of a skit or video or promo, it's our job to deliver it to them, to the point where the audience becomes the biggest champion of our brand. And if we can't match that, then we're falling short.
The audience. They see the name Mel Brooks, they want something really funny. They don't want to be moved; they don't want to be taught any lessons. [...] I get more letters for ?Twelve Chairs ?and ?Life Stinks? than I get from any other movies, because people actually agree with the philosophy, or were moved, or they love the movie.
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