A Quote by John Cheever

I write to make sense of my life." -John Cheever, quoted in _Cheever - A Life_ (2009) by Blake Bailey — © John Cheever
I write to make sense of my life." -John Cheever, quoted in _Cheever - A Life_ (2009) by Blake Bailey
I could never write about the sort of people John Cheever or John Updike or even Margaret Atwood write about. I don't mean I couldn't write as well as they do, which of course I couldn't; they're great writers, and I'm no writer at all. But I couldn't even write badly about normal, neurotic people. I don't know that world from the inside. That's just not my orientation.
...He is sure that the Bailey he is now is closer to the Bailey he is supposed to be than the Bailey he had been before
Writers collect stories of rituals: John Cheever putting on a jacket and tie to go down to the basement, where he kept a desk near the boiler room. Keats buttoning up his clean white shirt to write in, after work.
My favorite short-story writer is John Cheever.
My favorite short-story writer is John Cheever
The surest way to make a monkey of a man is to quote him. That remark in itself wouldn't make any sense if quoted as it stands.
John Cheever was the first writer I ever read who sort of had that similar sensation that, you know, life is nasty, miserable, brutish and short, but that occasionally, there's a certain river of light, a kind word, a telling gesture that sort of illuminates something.
I've heard it quoted that I was dead. You can't believe anything you read. That was just an off-hand remark somebody picked up, and now it's been quoted and quoted, and therefore misquoted.
It's true of so many fiction writers that I much prefer the essayistic work they did, whether it's David Foster Wallace's, or John Cheever's, or Nathaniel Hawthorne's.
I thought Cheever was magnificent and that if I could write like him that would be the best I could do. And then I realized that what I really wanted to write had nothing to do with what he was doing.
Grow up, Bailey." "That is precisely what I'm doing," Bailey says. "I don't care if you don't understand that. Staying here won't make me happy. It will make you happy because you're insipid and boring, and an insipid, boring life is enough for you. It's not enough for me. It will never be enough for me. So I'm leaving. Do me a favor and marry someone who will take decent care of the sheep.
It wasn't until I was an adult reader that I began to fathom the influence of fairy tales on writers I was in love with over the years, from Louisa May Alcott to Bernard Malamud to John Cheever to Anne Frank to Joy Williams.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
If you were a computer and read all the AI articles and extracted out the names that are quoted, I guarantee you that women rarely show up. For every woman who has been quoted about AI technology, there are a hundred more times men were quoted.
Throughout all of the changes that have happened in my life, one of the priorities I've had is to never change the way I write songs and the reasons I write songs. I write songs to help me understand life a little more. I write songs to get past things that cause me pain. And I write songs because sometimes life makes more sense to me when it's being sung in a chorus, and when I can write it in a verse.
When I first joined SAG, there was another John Reilly. My dad was John Reilly, too, but growing up I was John John. Nobody in life calls me John C. It's more like, 'Hey you, Step Brother!'
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