A Quote by John Cheever

I can't write without a reader. It's precisely like a kiss - you can't do it alone. — © John Cheever
I can't write without a reader. It's precisely like a kiss - you can't do it alone.
Without a reader, I cannot write. It's like a kiss: they cannot be done alone.
The difficulty of literature is not to write, but to write what you mean; not to affect your reader, but to affect him precisely as you wish.
Hug and kiss whoever helped get you - financially, mentally, morally, emotionally - to this day. Parents, mentors, friends, teachers. If you're too uptight to do that, at least do the old handshake thing, but I recommend a hug and a kiss. Don't let the sun go down without saying thank you to someone, and without admitting to yourself that absolutely no one gets this far alone.
I usually write for the individual reader -though I would like to have many such readers. There are some poets who write for people assembled in big rooms, so they can live through something collectively. I prefer my reader to take my poem and have a one-on-one relationship with it.
If you write, and you are really alone (writing is a lonely thing), you learn to be alone without suffering. When you read, you also learn to do this. When you write, you deal with things.
I would be a liar, a hypocrite, or a fool - and I'm not any of those - to say that I don't write for the reader. I do. But for the reader who hears, who really will work at it, going behind what I seem to say. So I write for myself and that reader who will pay the dues.
Let no one believe that he has received the divine kiss, if he knows the truth without loving it or loves it without understanding it. But blessed is that kiss whereby not only is God recognized but also the Father is loved; for there is never full knowledge without perfect love.
So, when kiss Spring comes we'll kiss each kiss other on kiss the kiss lips because tic clocks tock don't make a toctic difference to kisskiss you and to kiss me.
To write rhythmic prose one must go deep into oneself and find the anonymous and multiple rhythm of the blood. Prose needs to be built like a cathedral. There, one is truly without a name, without ambition, without help; on scaffoldings, alone with one's consciousness.
A kiss without a moustache, they said then, is like an egg without salt; I will add to it: and it is like Good without Evil.
And write what you love - dont feel pressured to write serious prose if what you like is to be funny. You're a reader as well as a writer, so write what you'd want to read.
The desire to be liked is acceptable in real life but very problematic in fiction. Pleasantness is the enemy of good fiction. I try to write on the premise that no one is going to read my work. Because there's this terrible impulse to grovel before the reader, to make them like you, to write with the reader in mind in that way. It prevents you doing work that is ugly or upsetting or difficult. The temptation is to not be true to what you want to write and to be considerate or amusing instead. I'm always trying to fight against the impulse to make my readers like me.
And this is a kiss like none before, a kiss that could overcome the dark of deep space night. It's a falling star, flame, ice. It's pure as water from a snow-fed mountain spring. This is what you dream a kiss to be. To have a kiss just like this each and every day! How satisfying life would be.
Think of this - that the writer wrote alone, and the reader read alone, and they were alone with each other.
Do not write to impress others. Authors who write to impress people have difficulty remaining true to themselves. A better path is to write what pleases you and pray that there are others like you. Your first and most important reader is you. If you write a book that pleases you, at least you know one person will like it.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
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