A Quote by John Cho

One of the things I like about comedy in general is that it affords Asian Americans the opportunity to not be noble. — © John Cho
One of the things I like about comedy in general is that it affords Asian Americans the opportunity to not be noble.
Within the model minority rhetoric, Asian Americans are represented as “good” minorities and African Americans are represented as “bad” minorities. Here, the achievements of Asian Americans are used to discipline African Americans. As model minorities, Asian Americans achieved the status of “honorary Whites”. Again it is important to point out that the honorary whiteness of Asian Americans was granted at the expense of Blacks. It is also significant that as “honorary Whites,” Asian Americans do not have the actual privileges associated with “real” whiteness.
And so it became a priority for me to make sure that all Asian Canadians or Asian Americans or wherever you are, Asian Australians, felt like they belonged.
We are in a diversity age. I talk about the lack of diversity for black Americans, but what about the Asian Americans? You don't see them very often. They have a show called 'Fresh off the Boat.' No one is talking about that show. I saw it, and I found that show completely offensive, but I'm not Asian American.
It's very difficult to be asking other people for opportunities. It is much more empowering to be creating opportunities, to be the one who is saying, 'Look, I'm going to take this from the ground up and create a story that is meaningful to me as an Asian American and cast it with Asian Americans and have Asian Americans writing it.'
Homophobia is a tough one. In some places it's actually very OK to be homophobic. Comedy clubs in general are very unsafe spaces for LGBT, for women, for Asian people. So my goal in comedy has sort of been to make this a safe space for people who were like me.
I've always been very passionate about trying to have Asian-Americans or Asian faces be more prominent in mainstream media.
I don't know what marriages are like in general, but there are many things which I don't talk about with my husband. We discuss practical problems, but I wouldn't sit down with him and talk about the distant past. It's somewhat in contrast to other Americans, who feel that they have to confess things, but I'm really not like that.
I think that's what we need more of: Asian-Americans on movie screens and TV screens where they're normalized. Where it's not about them being Asian or a person of color. It's just about them being a human. I think that's why sometimes when I see movies with an Asian family, but it's very stereotyped, I don't find that relatable.
Nothing is bigger than life. There's nothing noble in death. What's noble about never seeing the sunshine again? What's noble about having your legs and arms blown off? What's noble about being an idiot? What's noble about being blind and deaf and dumb? What's noble about being dead?
Chinese culture has a lot of virtues that are tremendously valuable to not only us as Asian-Americans, but also the world in general.
Our theme for this year's festivities, Dreams and Challenges of Asian Pacific Americans, speaks to the many generations of Asian Pacific Americans who worked hard to overcome economic hardship, racism and other barriers in their pursuit of the American dream.
As an actor of color, I was overlooked at every possible opportunity. I was given roles that were almost not roles. It was, like, Scared Asian Guy. Whether I was a scared Asian guy in front of a computer or a scared Asian guy getting robbed in the grocery store, I always played these pathetic, low-status characters.
My wife and I were worried, when we had our firstborn, about how he was going to think of himself in a mostly white neighborhood. Particularly Asian men, I feel, we suffer more than Asian women, because we're told we're not worth anything in general.
Being an Asian person on SNL,' when people are like, 'Why did it take so long?' It's sort of a question that doesn't fully understand the idea that there is no developmental experiential process for a queer Asian person to get into comedy in a way that feels inevitable.
In general, of course, a stranger who tries to get you into an automobile is anything but noble, and in general a person who quotes great American novelists is anything but treacherous, and in general a man who says you needn't worry about money, or a man who smokes cigarettes, is somewhere in between.
Comedy is a noble art. And every comedian who does anything is serving a noble purpose.
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