A Quote by John Cho

The Asian-American kids I meet respond to a democracy in the vulgarity of my roles. — © John Cho
The Asian-American kids I meet respond to a democracy in the vulgarity of my roles.
As a community, we're fighting for Asians to play Asian roles. And then there's the other battle, which is Asian Americans playing roles that aren't written for Asians, and I think that's something that completely should happen; Why can't an Asian American male just play a leading cop figure... or the Matt Damon roles?
The more visibility, the more opportunities for Asian-American actors to play great roles. It goes to the studios opening up roles they might not have considered Asian actors for. The talent is there. I don't think there needs to be one superstar, but having more roles open up, that's the way changes happen.
I think I would like to see more roles for South Asian performers that are more inclusive and part of the American Diaspora, the American tapestry, perhaps the way that African American and Hispanic roles have developed.
Because I sidestepped all the stereotypical roles, in a way I've made a career out of not being Asian - a lot of my roles weren't written as Asian - so there's an impulse in me that wants to take a U-turn and play a very grounded, real Asian character, maybe an immigrant.
In British TV, if there is an Asian character, there usually has to be a reason for them to be Asian, whereas in America, you have a lot more roles where the person just happens to be Asian.
As an actor of color, I was overlooked at every possible opportunity. I was given roles that were almost not roles. It was, like, Scared Asian Guy. Whether I was a scared Asian guy in front of a computer or a scared Asian guy getting robbed in the grocery store, I always played these pathetic, low-status characters.
Does people not asking me about Asian American literature mean they don't see it as its own literary tradition? I certainly believe in it as its own literary tradition, because your race plays a great factor in how you are seen by the world, and how you see the world; the fact that I'm an Asian American isn't incidental to who I am as a writer. Where it becomes difficult is defining what, if anything identifiable at all, makes an Asian American book an Asian American book, other than the fact of its creator being Asian. And I'd argue that there is nothing identifiable beyond that.
There aren't as many roles, and I think there's a lack of openness in casting an Asian character in a leading role or unless they're a stereotype. It's been hard. I've been able to play some non-stereotypical roles, which is great, but I have a lot of Asian actor friends who are struggling.
Even if you look at 'American Idol,' or 'X-Factor,' or 'The Voice' or anything, it was always difficult to see an Asian or an Asian-American make it to a certain point.
When I was growing up, Asians were so few and far between as to be almost invisible. And so the idea of an Asian American movement or an Asian American thrust in this country was unthinkable.
I wish reporters were more in tune to the difference between the Asian experience and the Asian-American experience. I think often they lump the two together and think that when I talk about Asian-American narratives that they can cite 'Crouching Tiger, Hidden Dragon' or 'Mulan' as proof of concept when it's a different experience.
I always feel like people misunderstand the difference between an Asian story and an Asian-American story. That's completely different, too. I have friends who grew up in Asia, and our experiences are so different. Even though we might look the same, I feel like being Asian and then being Asian-American is completely different.
We need to encourage the presence of more Asian writers and executive producers so they can fight for normalizing the casting of Asians in traditional American roles.
The matinee audiences are different because they're mostly kids, a great percentage kids. So they respond to everything differently, but I understand what they do respond to.
Jeremy Lin is the only Asian American in the NBA today and one of the few in any professional U.S. sport. His arrival is surely leading other talented Asian American athletes this week to contemplate a pro career.
Other Asian actors, especially American-born actors, sometimes shy away from immigrant roles.
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