A Quote by John Cho

I'm not a good improv-er, which is what a lot of comedic actors are really good at. I have failed miserably when I've been asked to improvise. — © John Cho
I'm not a good improv-er, which is what a lot of comedic actors are really good at. I have failed miserably when I've been asked to improvise.
I've been called a funny person, for a long time. I don't know that I know anything about comedic acting. I'm not a good improver, which is what a lot of comedic actors are really good at. I have failed miserably when I've been asked to improvise.
This particular film highlights Ben and Owen's strengths which is that they are great comedic actors with tremendous chemistry and they do a really good job.
I enjoy comedic things. People don't understand it's the hardest thing to do. We have a ratio of 25-to-1 between good dramatic actors and people who are considered good comic actors.
It may seem like improv because it flows quite naturally, and a little bit of leeway for improvisation is good, but you have to be judicious with it. So it's good, but sometimes people deify it. You can't improvise your way out of a paper hat.
I have friends who will say, "Oh you gotta come and see our show." And the first thing I say is, "Is it sketch or improv?" I'll go in a minute to see a sketch show. I love sketch; it's my favorite form. But if it's all improv, they're either very good and it's annoying how good they are and it makes you feel bad, or they're not too good then you're sweating for them. And you don't want to sweat for them, see actors repeating each other's lines.
There are actors that are really fine actors but not good auditioners. There are really good auditioners that may not be great actors. There are great actors that are really good auditioners, too. I happen to be someone who's not a great auditioner, but usually on a set can hold my own.
Mark and jay Duplass really like to improvise. Even if we beg them to go back to the script, they invariably ask us to go "off the rails," as they like to call it. It's just the way they work. You get a full written script. And it's really, really, really good, so that's why it's kind of peculiar that they always want you to improvise, because if I wrote something that good, I would want everyone to stick to the dialogue that was written.
'Friends' is easy to dismiss, but it's really good television - the art with which those actors play with comedy shouldn't be denigrated. And they also know how to play irony, which I think a lot of English actors might find quite difficult.
I'd love to have written a film and it to be regarded as good. I'd just like to be doing things that are good, really. I think that's all you can aim for. I find it odd when actors say they just want to do films or plays or television. A lot of films aren't very good; a lot of television isn't very good; a lot of plays aren't very good.
We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
The great amount of fun that I have is I can cast dramatic actors to play comedic roles, and I can cast comedic actors to play dramatic roles because, really, there's no such thing. There's just actors.
I failed eating, failed drinking, failed not cutting myself into shreds. Failed friendship. Failed sisterhood and daughterhood. Failed mirrors and scales and phone calls. Good thing I'm stable.
We're all pretty proud of it, and we're also standing around, scratching our heads and going, "Wow, this is really good." With the caliber of actors that we have, you really can't got wrong. Not only is it fun, but it's good. It's been really, really great, in that aspect. I totally get what they're doing.
Comedians work great as actors because they're good under pressure. With a lot of actors, you have to make them feel like everything's going really well to get a good performance out of them. But, if you have a comedian on the set, you can tell them, 'Hey, you really are screwing this up,' and then they just get better.
An awful lot of actors who are considered very good actors are not very good actors. There are people who just strike gold, they have intrinsic talent, but the point is that if they did train, it would not inhibit them. If they were with a good teacher, it would only broaden them more.
When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors, I don't know.
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