A Quote by John Christopher
I think before I act---and then think again. I am not entirely a coward, but I do not lose myself in action as you do.
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I don't like to think of myself as just a person. I don't think I am. I think I existed before, and I think I'll exist again after I die here, so I don't exactly know what I am. I don't think there is ever going to be an answer. I just know that I'm not like you.
The greatest choice we have is to think before we act and then take action toward our life goals every day. Our problems result not only from our lack of action, but from our action without thought.
I'd love to do a really cheap action movie. I'd love to do stunts. I mean, not myself. I'd hurt myself, but I'd love to direct others doing stunts. I think that would be a blast. The funny thing is, if I really think through this fantasy, I know that the way I conceive of doing an action movie would still lose money. No matter how far I think I'm getting away from myself, it always comes back to something that's not terribly commercial.
These are times of action. Men think and then act; sometimes, indeed, they simply act.
When you are winning too much, sometimes you think you should never lose again. I am learning to lose.
A man who waits to believe in action before acting is anything you like, but he's not a man of action. It is as if a tennis player before returning a ball stopped to think about his views of the physical and mental advantages of tennis. You must act as you breathe.
My position on that has been misrepresented again and again and again in the media. Let me make it clear. There are two wars in Iraq. The first one was absolutely necessary and entirely justifiable. Saddam Hussein had attacked and invaded Kuwait, a sovereign independent state, it was a blatant act of aggression, and action was justifiable and necessary. I have no problems with that at all.
I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?
I am not to speak to you, I am to think of you when I sit alone or wake at night alone, I am to wait, I do not doubt I am to meet you again, I am to see to it that I do not lose you.
I run; I am a coward at heart. I swear, when I smell violence or aggression the coward comes out in me. I have no desire to fight anybody except myself.
Think before you act and then act decisively. Fortune favors the brave.
So when it comes to being a role model to women, I think it's because of the way that I feel about myself, and the way that I treat myself. I am a woman, I treat myself with respect and I love myself, and I think that if I'm holding myself to a certain esteem and keeping it real with myself, then that's going to translate to people like me.
Thus play I in one person many people, And none contented: sometimes am I king; Then treasons make me wish myself a beggar, And so I am: then crushing penury Persuades me I was better when a king; Then am I king'd again: and by and by Think that I am unking'd by Bolingbroke, And straight am nothing: but whate'er I be, Nor I nor any man that but man is With nothing shall be pleased, till he be eased With being nothing.
As an actor, I think you should always disappear a little. I act in order to lose myself.
I think David Yates was just like, "You've got on with it for a few years, I'm gonna let you off the hook." And also, I think it's because the action side of stuff that we were doing, it was going to be very difficult to do all that with all the prosthetics on. It was gonna be hard work, and I think they just said, "You know what?" I think they put a level of trust in me, as well. They said, "You know, we're gonna let Neville Longbottom lose the fat suit, lose the teeth, lose the Adolf Hitler hair."
Whatever any boxer does in the ring, I don't think any reporter should call him a coward. Anyone who does that I lose complete respect for. There's a difference between being a coward and being scared, or apprehensive. Different fighters have got different mentalities.
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