A Quote by John Clare
I am gennerally understood tho I do not use that awkward squad of pointings called commas colons semicolons etc.
Related Quotes
I use a whole lot of half-assed semicolons; there was one of them just now; that was a semicolon after 'semicolons,' and another one after 'now.
I like commas. I detest semi-colons - I don't think they belong in a story. And I gave up quotation marks long ago. I found I didn't need them, they were fly-specks on the page.
I like commas. I detest semi-colons — I don’t think they belong in a story. And I gave up quotation marks long ago. I found I didn’t need them, they were fly-specks on the page.
To one who has enjoyed the full life of any scene, of any hour, what thoughts can be recorded about it seem like the commas and semicolons in the paragraph-mere stops.
So . . . middle school? Awkward.Having a hobby that's different from everyone else's? Awkward. Singing the national anthem on weekends instead of going to sleepovers? More awkward. Braces? Awkward. Gain a lot of weight before you hit the growth spurt? Awkward. Frizzy hair, don't embrace the curls yet? Awkward. Try to straighten it? Awkward!So many phases!
You practically do not use semicolons at all. This is a symptom of mental defectiveness, probably induced by camp life.
I may say this is a deluded generation, veiled with ignorance, that tho popery and slavery be riding in upon them, do not perceive it; tho I am sure there was no man born marked of God above another, for none comes into the world with a saddle on his back, neither any booted and spurred to ride him.
Maximum sentence length: seventeen words. Minimum:one No semicolons. Semicolons indicate relationships that only idiots need defined by punctuation. Besides, they are ugly. Make sure each sentence is at least four words longer or shorter than the one before it.
Sometimes I am questioned why I play better for the national squad than at Manchester City. I am the same at both places, but City is one team, and the Brazil national squad is another.
I am always interested in the ways of scoring the sound of the poem, especially a poem with long lines. Spaces within a line, double colons, slashes, are indications of pause, of breath, of urgency, they are not metrically exact as in a musical notation but they serve (I hope) to make the reader think about the sound of the poem - just as traffic symbols, when driving, make us almost unconsciously aware of a steep hill, an intersection, an icy bridge etc.
If I am with one person, I am very talkative, and personable. I will talk your ear off, but if there is another person interjected, I get so awkward. I am like the awkward one in those situations, but I feel like a lot of creative people are.
Here is a lesson in creative writing. First rule: Do not use semicolons. They are transvestite hermaphrodites representing absolutely nothing. All they do is show you've been to college.
I've shown I am deserving to be in the England squad, but I don't just want a place in the squad; I want to be in the team.
The rule is: don’t use commas like a stupid person. I mean it.
The proper use of commas is often more art than science.
To cash paid for saddlery, a letter case, maps, glasses, etc etc etc. for the use of my Command: 29 pounds 13 shillings and sixpence... To Mrs Washington's travelling expenses in coming to and returning from my winter quarters, the money to defray that taken from my private purse: 1064 pounds, one shilling.
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