A Quote by John Cleese
The most creative people have this childlike facility to play.
Related Quotes
To stimulate creativity one must develop childlike inclination for play and the childlike desire for recognition.
Along the way, let's never forget that once we were children and that we were all playing together without distinction of skin color, society level, or where people come from. Adults need to remember to play and to be more childlike in our behavior. We've forgotten what that childlike experience was like.
The point is to develop the childlike inclination for play and the childlike desire for recognition and to guide the child over to important fields for society. Such a school demands from the teacher that he be a kind of artist in his province.
I normally don't initiate conversations with guys unless they want to talk about certain things - when I'm at the facility, I'm there to play football. If you want to talk about the meaning of life, games, whatever, I'm more than happy to, but when I'm in that building, I'm being paid to play football. Conversely, when I'm not at the facility, that's my life to live.
It's actually hard for creative people to know themselves because the creative self is more complex than the non-creative self. The things that stand out the most are the paradoxes of the creative self ... Imaginative people have messier minds.
No-limit people are so in charge that they can trust their instincts, be childlike, be creative, do anything that makes sense to them and make their lives into what they really believe they want for themselves.
My work is play. And I play when I design. I even looked it up in the dictionary, to make sure that I actually do that, and the definition of “play,” number one, was “engaging in a childlike activity or endeavor,” and number two was “gambling.” And I realize I do both when I’m designing.
Acting is a childlike thing. To act well, you have to be childlike in order to free yourself.
We frequently hear how essential it is for someone to think "outside the box," but what actually determines one's facility for doing so? In other words, what skills make someone a creative thinker? Typically, creative thinkers can view issues from multiple perspectives, define problems in several different ways, and anticipate likely obstacles. Someone's aptitude for these skills determines how well he or she will perform as a creative thinker.
I know that part of why I was excited to do this was the sense of play and childlike wonder and the spirit that's in the Daniels' work. I think we're tracking some issues that are actually quite sad or lonely but I think in a joyful, creative way. So I like that balance. I think singing in the woods, the music and spirit of that - there's something very pure about the film [Swiss Army Man].
To tap into that natural creative spirit, recapture your childlike enthusiasm for everything around you. Work with the reckless delight of a child.
You may be perfect in playing the piano, and not be creative; you may play the piano most brilliantly, and not be a musician. You may be able to handle color, to put paint on canvas most cleverly, and not be a creative painter. You may create a face, an image out of a stone, because you have learned the technique, and not be a master creator. Creation comes first, not technique.
Most of what I do is for creative people - writers and painters and photographers - trying to work through creative problems.
Unfortunately, creative people are at their most creative when writing their autobiographies.
I still feel childlike. Not childish - there's a difference. But to be childlike is to be savoured and treasured. I offer my books to those who like the things of childhood; the challenges, intrigue, joy and fun.
It is difficult to say why I decided I wanted to be an artist. Obviously, I had some facility, more than other people, but sometimes facility comes because one is more interested in looking at things, examining them, more interested in the visual world than other people are.
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