A Quote by John Cleese

When the target audience is American teenage kids, you can have problems. My generation prized really fine acting and writing. Sometimes you have to go back to the basic principles which underpin great visual comedy.
Sometimes when you stare adversity in the face you've got to go back to those basic principles of football and do them right.
I'm trying to encourage my children's generation and the other ones coming to return to basic American principles.
I listened to this interview once with Jerry Seinfeld that really influenced my comedy and all of my writing, which is that when you're starting out in comedy, it's the audience that tells you what's funny about you. And you need to listen to that and make a note of that.
I acted in high school and studied at the British American Drama Academy in Oxford for one summer. I minored in theater, and I was always acting growing up and stuff, but really, I was just more interested in the comedy of it all. So for me, it's always comedy, and then acting is just one medium of comedy.
Sometimes, you write things that sound really great when you're at home but don't work when you shine the light of an audience on them. Great writing and live writing are two separate things.
I was talking to one of the writers about our target audience, and he was insulted that I used that term. But if you're given $60 million to make a film, you'd better know who your target audience is. That's who's going to pay back the bills you run up.
I'm a first-generation kid in this country. I so identify with America and its culture. I'm a citizen, I was born here. I'm American. At the same time, like most first-generation kids, I have this other identity to another country back home, which is India.
I find movies rely upon dialogue too much sometimes, and you lose the power of what really the most basic cinematic language is, which is the visual language.
I always go for just really, hopefully, great writing and great acting, being in the company of great actors.
I live in L.A. so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
I live in LA so I worry my kids aren't that connected to Britain, I suppose I don't want them to become American kids. We try to get back three or four times a year. When they go to school they speak with a British-American accent but when they come home to us they go back to their British accent, so I can deal with that.
I've been spending quite a bit of time writing, acting, and making films. Because I'm doing all this extra writing, acting, and creating short comedy skits with my friends in improv shows, I feel like that's really filled out my confidence on the mic.
I'm a really visual artist, and I love writing treatments for music videos, photo shoots, fashion, and all the visual parts that go along with making an album.
Acting is bad acting if the actor himself gets emotional in the act of making the audience cry. The object is to make the audience cry, but not cry yourself. The emotion has to be inside the actor, not outside. If you stand there weeping and wailing, all your emotions will go down your shirt and nothing will go out to your audience. Audience control is really about the actor
I thought if I could do stand-up comedy well enough, I could parlay it back into films - like Charlie Chaplin and Woody Allen did. They merged principles of comedy and drama together, and that's what my first film really was, a stab at that kind of comedy.
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