A Quote by John Coltrane
I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things he knows of and senses in the universe.
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The main thing a musician would like to do is to give a picture to the listener of the many wonderful things he knows of and senses in the universe.
Over all, I think the main thing a musician would like to do is give a picture to the listener of the many wonderful things that he knows of and senses in the universe. . . Thats what I would like to do. I think thats one of the greatest things you can do in life and we all try to do it in some way. The musicians is through his music.
Overall, I think the main thing a musician would like to do is give to the listener the many wonderful things he knows of and senses in the universe... That's what I would like to do. I think that's one of the greatest things you can do in life, and we all try to do that in some way. The musician's is through his music.
You become things, you become an atmosphere, and if you become it, which means you incorporate it within you, you can also give it back. You can put this feeling into a picture. A painter can do it. And a musician can do it and I think a photographer can do that too and that I would call the dreaming with open eyes.
I would hope the pages would be blank, and every time you flipped the page, a beautiful picture would form. The universe knows where I'm going, and I'm just gonna let it do what it does.
So Nemerov showed us this picture, which is of Apollo flaying Marcius. You don't think of Apollo as being the sort of person who would skin someone alive. But the story behind it was that there was this guy who was a really great musician, and all the women loved him, and people started saying he was the best musician in the world, so Apollo got jealous and he challenged this guy to a musical dual. They would each play a song and the muses would judge who was the better musician.
I've heard Eric Clapner, ... I think it was a wonderful thing that Eric Clapner the musician did...So I think that's the wonderful part about it, but listen - I like Eric Clapner!
I always think, 'What does this picture mean? What's the best place to put my camera? Do I have anything extra in the picture, things in the background that will distract? Am I in the basic position that will give the essential things for this picture but not too much?'
The challenge for a good musician is to bring out compositions that seem fresh to the listener, even if the listener has heard the song or the composition before.
It's not like I'm taking 20 grand from the shows. I mean there's no record label, so this is a genuine thing. And I think most people can see that. I think that anyone who knows me, knows I do things with integrity.
I did, I was in Europe a lot. I would say, mid 20s to late 30s. Less so in the last ten or twelve years. Based on some political stuff and other things, I think I'm not the only musician, the only American jazz musician that's not going to Europe quite as much. I think we're seen a little differently in the world, unfortunately, than we were pre-Iraq invasion and things like that.
As a coach, one thing that used to frustrate me was one player would make a bad decision, and that's all you would read about in the papers all over the country. We have so many athletes do so many wonderful things for other people, and you never read about it.
The most wonderful thing in the world is somebody who knows who they are and knows where they're going and knows what they were created to do
If he's a true symphony artist, he knows better than that because he knows that the only truly creative musician is the jazz musician.
I think there's no harm, sometimes, to feel on the edge of things. If you're on the margins you can see a bigger picture. And I actually quite like standing at a peculiar angle to the universe.
As thinkers, mankind has ever divided into two sects, Materialists and Idealists; the first class founding on experience, the second on consciousness; the first class beginning to think from the data of the senses, the second class perceive that the senses are not final and say, The senses give us representations of things, but what are the things themselves, they cannot tell. The materialist insists on facts, on history, on the force of circumstances and the animal wants of man; the idealists on the power of Thought and Will, on inspiration, on miracle, on individual culture.
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