A Quote by John Constable

I am glad you encouraged me with the 'Stoke' [his painting 'Stoke-by-Nayland', circa 1835] What say you to a summer morning? July or August, at eight or nine o'clock, after a slight shower during the night, to enhance the dews in the shadowed part of the picture, under 'Hedge row elms and hillocks green.' Then the plough, cart, horse, gate, cows, donkey, &c. are all good paintable material for the foreground, and the size of the canvas sufficient to try one's strength, and keep one at full collar.
Whether it's eight o'clock in the morning or eight o'clock at night, I always try to greet others before they have a chance to speak to me.
One thing that I tell people all the time is, 'I'm not going to answer a call from you after nine o'clock at night or before nine o'clock in the morning unless it's an emergency.'
I literally have meetings at eight o'clock in the morning, and I finish at nine o'clock at night. It sounds pathetic, but I don't even have time to go shopping.
One word defines the essence of surfing better for me than any other — stoke . One of the best things about stoke is that you can pass it along to someone who has never heard the expression.
My brother was an avid Stoke City fan and a good footballer. We shared a room, growing up, and the walls were covered with 1970s Stoke players, like Peter Shilton, Gordon Banks, and Jimmy Greenhoff.
I want to stay at Stoke and play for Stoke.
When summer opens, I see how fast it matures, and fear it will be short; but after the heats of July and August, I am reconciled, like one who has had his swing, to the cool of autumn.
Each painting seems to have a very specific size it wants to be. I have even started a painting or two over just because I didn't like the feeling of the particular image at a particular size. The Parlor needed to be large because I wanted it to feel like a full-size room you could step into. Unfortunately for me, I paint the same way on an eight-foot canvas as I do on a five-inch miniature. I still use very tiny brushes and noodle every square inch. It took me nearly a year to paint The Parlor.
I try to keep feeling what's going on and try to use the camera, the actors and the design to enhance those feelings. There's something really emotionally direct and honest about how I put the material with the images. You hope that the strength of mise-en-scene comes from an honesty towards the material. You also hire really well.
1,000 cows in the U.S. are alive at night and dead in the morning. These cows on the ground are ground into feed, making their fellows not only carnivores but cannibals. Europe after Mad Cows' Disease has banned this practice. The U.S has not yet.
I spent a day in a neck brace on a hospital trolley after falling from a horse and cart in Ireland. All the nurses thought I was a traveler, which made me laugh. Who else comes into a hospital saying they've fallen off a horse and cart?
I've been at Stoke for eight years... I think I've had the same towel for almost eight years.
Stoke-on-Trent - forget about the football club, or the people at the football club, and the supporters - Stoke-on-Trent is a wonderful place.
Before a painter puts a brush to his canvas, he sees his picture mentally.... If you think of yourself in terms of a painting, what do you see?... Is the picture one you think worth painting?... You create yourself in the image you hold in your mind.
When I was eight, nine years of age, my mother bought me a pair of green trousers - corduroy green trousers. I didn't like green, and I basically buried them underground. And my mother kept asking me, 'Where are your trousers?' I said, 'Oh, I don't know.' And from then on I stopped wearing green.
Of course Messi could handle a cold Tuesday night in Stoke. He'd be drinking tea and relaxing beforehand. Me? I'd probably be the same.
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