My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? "Tempest o'er tempest roll'd" - still the "darkness" is majestic.
Every scene in 'Ganga Jamuna' has been spellbinding for me. I can see the film any number of times and still not be able to pinpoint a scene and say 'This is the best scene!' Every scene is perfect.
Come o'er the sea, Maiden with me, Mine through the sunshine, storms and snows; Seasons may roll, But the true soul Burns the same, where'er it goes.
To protect ourselves against the storms of passion, marriage with a woman is a harbor in the tempest; but with a bad woman it is a tempest in the harbor.
Jesu, lover of my soul, Let me to thy bosom fly, While the nearer waters roll, While the tempest still is high; Hide me,O my Saviour, hide, Till the storm of life is past; Safe into the haven guide, O receive my soul at last.
Shakespeare's last play was called The Tempest. It wasn't called just plain Tempest. The name of my record is just plain Tempest. It's two different titles.
How it works for me is that a scene comes to mind, usually a scene between the hero and heroine, that depicts the emotional conflict. From that scene, the characters come alive for me. I don't do a lot of preplanning in any way when I write.
A violent scene is art, as much as a sex scene is art. For me, all the scenes were a challenge.
The passion you forbade my lips to utter Will not be silenced. You must hear it in The sullen thunders when they roll and mutter: And when the tempest nears, with wail and din, I know your calm forgetfulness is broken, And to your heart you whisper, "He has spoken."
On me the tempest falls. It does not make me tremble. O holy Mother Earth, O air and sun, behold me. I am wronged.
Skillful pilots gain their reputation from storms and tempest.
What I don't like is when I see stuff that I know has had a lot of improv done or is playing around where there's no purpose to the scene other than to just be funny. What you don't want is funny scene, funny scene, funny scene, and now here's the epiphany scene and then the movie's over.
Give me the storm and tempest of thought and action, rather than the dead calm of ignorance and faith! Banish me from Eden when you will; but first let me eat of the fruit of the tree of knowledge!
I don't paint so that people will understand me, I paint to show what a particular scene looks like.
The producers who wanted me to do it liked me and trusted me, and more than one scene was only one take, because I'd plan ahead what I thought would be appropriate for that scene-so one take was enough.
I did 'Echo Beach,' a surfing drama that meant I was often topless. Next came 'Demons,' and the opening sequence had me in my boxer shorts; and then there was a scene in 'Trinity' with me walking around in boxer shorts. It was only one scene in each series.
Your notions of friendship are new to me; I believe every man is born with his quantum, and he cannot give to one without robbing another. I very well know to whom I would give the first place in my friendship, but they are not in the way, I am condemned to another scene, and therefore I distribute it in pennyworths to those about me, and who displease me least, and should do the same to my fellow prisoners if I were condemned to a jail.