A Quote by John Constable
Verse is a mechanism by which we can create interpretative illusions suggesting profoundities of response and understanding which far exceed the engagement or research of the writer.
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Truth is a mobile army of metaphors, metonyms, anthropomorphisms, in short a sum of human relations which have been subjected to poetic and rhetorical intensification, translation and decoration […]; truths are illusions of which we have forgotten that they are illusions, metaphors which have become worn by frequent use and have lost all sensuous vigour […]. Yet we still do not know where the drive to truth comes from, for so far we have only heard about the obligation to be truthful which society imposes in order to exist" from, "On Truth and Lying in a Non-Moral Sense".
Depth of understanding involves something which is more than merely a matter of deconstructive alertness; it involves a measure of interpretative charity and at least the beginnings of a wide responsiveness.
Ultimately, the naming of buildings is not a mechanism by which history is kept alive. It is a mechanism by which the rich and the powerful are honoured.
My chief concern is to make clear the Truth which I have attained, to give an understanding of the Truth, which is the Truth for all. And hence, if there is understanding rather than blind following, people will not create a religion.
Research is creation of knowledge which leads to new and efficient solutions for the society. Shiv Nadar University, therefore, believes in being at the forefront of research. To create new knowledge, one needs to solve open-ended problems, which basically make one think on one's own.
What then is truth? A movable host of metaphors, metonymies, and anthropomorphisms: in short, a sum of human relations which have been poetically and rhetorically intensified, transferred, and embellished, and which, after long usage, seem to a people to be fixed, canonical, and binding. Truths are illusions which we have forgotten are illusions — they are metaphors that have become worn out and have been drained of sensuous force.
First of all, everyone must acknowledge and feel that child slavery still exists in the world, in its ugliest face and form. And this is an evil, which is crime against humanity, which is intolerable, which is unacceptable and which must go. That sense of recognition must be developed first of all. And secondly there is a need of higher amounts of political will. There is a need of higher amount of corporate engagement, and the engagement of the public towards it. So, everybody has a responsibility to save and protect the children on this planet.
My intention was to create a work of art which would transcend the visible, which cannot be perceived except in stages, with the understanding that it is a partial revelation and not the perpetuation of the existing. My aim is to show what can be seen within the limits of possibility which exists in the midst of coming into being.
Language, philosophy, and science are interwoven into the design of words, which are manipulated to create surprising illusions.
I think there's a lack of understanding which is partly our fault as scientists and physicians in not communicating well enough with the public. But there's a lack of understanding of how important biomedical research is.
At Bristol I found it quite difficult to continue trying to balance three things - teaching, research and public engagement, for which television was obviously the most prominent part.
The worst thing about film, from my point of view, is that it cripples illusions which I have encouraged people to create in their heads. Film doesn't create illusion. It makes them impossible. It is a bullying form of reality, like the model rooms in the furniture department of Bloomingdale's.
ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection.
For truly in nature there are many operations that are far more than mechanical. Nature is not simply an organic body like a clock, which has no vital principle of motion in it; but it is a living body which has life and perception, which are much more exalted than a mere mechanism or a mechanical motion.
There are two ways in which a science develops; in response to problems which is itself creates, and in response to problems that are forced on it from the outside.
We cannot forbear suggesting one practical result which it appears to us must be greatly facilitated by the independent manner in which the engine orders and combines its operations: we allude to the attainment of those combinations into which imaginary quantities enter.
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