A Quote by John Constable
It will be difficult to name a class of landscape in which the sky is not the key note, the standard of scale, and the chief organ of sentiment.
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You need particular note or rhythm in the symphony to be that minor key, or that sharp key or major chord. In musical terms, I try to hit the right note. But not alter the score of the music, just emphasize the note correctly.
The civil magistrate cannot function without some ethical guidance, without some standard of good and evil. If that standard is not to be the revealed law of God (which, we must note, was addressed specifically to perennial problems in political morality), then what will it be? In some form or expression it will have to be the law of man (or men) — the standard of self-law or autonomy.
I am preoccupied with the possibility of creating art which functions in a public situation without compromising its private character of being antiheroic, antimonumental, antiabstract, and antigeneral. The paradox is intensified by the use on a grand scale of small-scale subjects known from intimate situations--an approach which tends in turn to reduce the scale of the real landscape to imaginary dimensions.
The highest art is where has been most perfectly breathed the sentiment of humanity...Some persons suppose that landscape has no power of communicating human sentiment. But this is a great mistake. The civilized landscape peculiarly can: and therefore I love it more and think it more worthy of reproduction than that which is savage and untamed. It is more significant. Every act of man, every thing of labor, effort, suffering, want, anxiety, necessity, love, marks itself wherever it has been.
They had been corrupted by money, and he had been corrupted by sentiment. Sentiment was the more dangerous, because you couldn’t name its price. A man open to bribes was to be relied upon below a certain figure, but sentiment might uncoil in the heart at a name, a photograph, even a smell remembered.
It is based off the pentatonic scale, which is a five-note scale in music. And there are five of us. We were going to be The Pentatonix, but we dropped the 'The' and added an 'x' to try and be cooler.
Suprisingly, one of the most complex pieces of code is the code to determine where a note is in the staff. Finale stores notes as relative scale positions in the current key.
We shook up the industry with our landscape-changing deal to acquire Time Warner, the logical next step in our strategy to bring together world-class content with best-in-class distribution which will drive innovation and more choice for consumers.
If we had a truth-in Government act comparable to the truth-in-advertising law, every note issued by the Treasury would be obliged to include a sentence stating: This note will be redeemed with the proceeds from an identical note which will be sold to the public when this one comes due.
We all like to think of ourselves as a standard, and I can see that it is genuinely difficult for the English middle class to suppose that the working class is not desperately anxious to become just like itself. I am afraid this must be unlearned.
That these are our grievances which we have thus laid before his majesty, with that freedom of language and sentiment which becomes a free people claiming their rights as derived from the laws of nature, and not as the gift of their chief magistrate.
The very large, very respectable, and very knowing class of misanthropes who rejoice in the name of grumblers,--persons who are so sure that the world is going to ruin, that they resent every attempt to comfort them as an insult to their sagacity, and accordingly seek their chief consolation in being inconsolable, their chief pleasure in being displeased.
I find it interesting that the meanest life, the poorest existence, is attributed to God's will, but as human beings become more affluent, as their living standard and style begin to ascend the material scale, God descends the scale of responsibility at commensurate speed.
The enormous influence of novelty--the way in which it quickens observations, sharpens sensations, and exalts sentiment--is not half enough taken note of by us, and is to me a very sorrowful matter. And yet, if we try to obtain perpetual change, change itself will become monotonous.
I think I was drawn to the harpsichord because of the similarity of touch between the harpsichord and the tracker organ. When you press a key on the harpsichord, the pluck of the string gives a slight resistance similar to the feel of depressing a key on a tracker organ. Also, harpsichordists and organists use much less wrist and body motion than pianists, and we do not need the upper body muscles required by pianists.
The world is moving into a phase when landscape design may well be recognized as the most comprehensive of the arts. Man creates around him an environment that is a projection into nature of his abstract ideas. It is only in the present century that the collective landscape has emerged as a social necessity. We are promoting a landscape art on a scale never conceived of in history.
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